A Quote by Sloane Crosley

I prefer to record all traumas and save them for later, playing them over and over so they can haunt me for a disproportionate number of weeks to come. It's very healthy. — © Sloane Crosley
I prefer to record all traumas and save them for later, playing them over and over so they can haunt me for a disproportionate number of weeks to come. It's very healthy.
In general, I prefer to record all traumas and save them for later, playing them over and over so they can haunt me for a disproportionate number of weeks to come. It's very healthy.
I see fat kids on the street all the time and I give them free radiohead t-shirts with bullseyes on them. Later when I see them wearing the t-shirts I shoot at them with bb guns while riding a very large dog and singing kicking squealing gucci little piggy over and over
Now that I am much older, I have had a number of sax players tell me I was responsible for them playing sax. Some of them I have admired over the years.
Some people give theirselves a certain number of white weeks once in a year, when they do not drink a single drop of alcohol. It is really wise. I myself have a few weeks per year, let us call them white or black, when I am not interested in the world around. When I come back from this isolation of the news, I realize that I have missed nothing significant. We live in the rain of disinformation and rumors, where the truth is a very small number. In those weeks of dissociation I seek for knowledge that lies within me.
Do people choose the art that inspires them — do they think it over, decide they might prefer the fabulous to the real? For me, it was those early readings of fairy tales that made me who I was as a reader and, later on, as a storyteller.
I had success. I had a number one record. I had a number one album. I have to make this kind of record again or else I'm going to lose it all. That's how you end up making the same song over and over.
I think growing up in a small town, the kind of people I met in my small town, they still haunt me. I find myself writing about them over and over again.
The beauty of voice-over work is that maybe you come in and record once every two weeks for a couple of hours and do a couple episodes a session. It's awesome! You spend an afternoon playing in the booth, and there you have it. It doesn't interfere with much.
I don't ever want to get boxed in, playing the same characters, over and over again. That's why I prefer features over television.
I wish I could take back every interview. Over and over again, I read them later, and either I'm misquoted or I said something stupid. I'm just not very good at it.
I definitely prefer working in comedy over drama, but at the same time, when it comes to comedy, I tend to prefer comedies that have a great sense of truth to them and that come from an honest place.
But I hope to maintain my credibility after I stop playing. Because, yes of course, now I play and I score goals and children all over are mad about me. Not just poor children - all children. We can make them really happy by the way we play, though I have to say that it's the poor ones that I think of most, the ones who can't come and watch the games at the stadium. We mean so much to them. That's why I'm so committed to this work. Later, after you've stopped playing, it's harder to have the same impact. But I will give it a go. I want to continue doing this kind of work for ever.
I usually make records very quickly. I usually go in and record them and mix them, and I'm done within a couple of weeks.
I come from under the hill, and under the hills and over the hills my paths led. And through the air. I am he that walks unseen. I am the clue-finder, the web-cutter, the stinging fly. I was chosen for the lucky number. I am he that buries his friends alive and drowns them and draws them alive again from the water. I came from the end of a bag, but no bag went over me. I am the friend of bears and the guest of eagles. I am Ringwinner and Luckwearer; and I am Barrel-rider.
It is okay for people you love to leave. For them to come and go. She taught it to me over and over.
I think you save things from your past that you don't quite understand, and you put them in a box, and you save them for later until you can unwrap them and try to understand what they meant.
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