A Quote by Sloane Crosley
For me, titles are either a natural two-second experience or stressful enough to give you an ulcer. If they don't pop out perfect on the first try, they can be really hard to repair. Or, worse, if the author thinks they pop out perfect, but the publishing house does not agree, it's difficult to shift gears. And then? Then you go insane.
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My song 'Play It Again' is a perfect example of my music because the verses go so hard, and they're so urban; and then this pop hook comes out of nowhere and socks you in the face and makes you want to dance.
A Hard Day's Night' is the most perfect pop album you'll ever get to hear in your life; it's filled with definitive versions of the two-minute pop song.
Anybody who thinks pop music's easy should try to make a pop single and find out that it isn't.
'Push It,' to me, was very pop. And back then, you were called 'sell-out' to be pop.
My whole thing is having the perfect balance. Let's say I go to school. I have a day at school. That's the perfect amount of reality. Then I go and play music with my band. Then I go home and hang out with my family and my pets. I think that's the perfect amount of reality time.
Pop is like a puzzle: to write a perfect pop song, you never know, and there's so much that can happen in a second with a song.
Rookie year you get out there and want to make as many plays as possible, then second year you want to be perfect, and then you kind of find a combination between the two - making a lot of plays and trying to be as perfect as possible.
You have to go out there and fight as hard as you can. You have to go out there and work as hard as you can and do the right things. Then you go out there and perform and either it's good enough or it's not.
If we're trying to get the perfect house, the perfect relationship or the perfect job, it's likely there's some kind of fear driving us beyond the natural wish to improve. It's really the refusal to acknowledge that life - including ourselves - is simply not perfect.
When my life is stressful, my favorite game is called 'Pop It,' where you pop balloons and prizes fall out. It's a five-minute game that focuses my mind and gives me extra attention when I'm stressed.
Being a part-time pop star was perfect, really, when I wasn't worn out by the partying.
Prince turned experimental music into pop music. 'When Doves Cry,' the whole 'Purple Rain' soundtrack - he was inspired by the Cocteau Twins and new wave pop and brought it into R&B when he first started, and then it became this cool, next-level, kind of hard-to-digest music. Which is what I felt 'House of Balloons' was.
We really want to perfect the quality of the stuff we put out, so we can be represented to the world as a K-pop group.
The only time I really try for a strikeout is when I'm in a jam. If the bases are loaded with none out, for example, then I'll go for a strikeout. But most of the time I try to throw to spots. I try to get them to pop up or ground out. On a strikeout I might have to throw five or six pitches, sometimes more if there are foul-offs. That tires me. So I just try to get outs. That's what counts - outs. You win with outs, not strikeouts.
Acting, for me, is exhausting. I'm always more energized by directing. It's more intense to direct. I can pop in and express myself, then pop out again. It's a huge passion for me.
It's always something that interests me, crafting a really perfect pop gem, but it's not a lifelong obsession. I've kind of moved beyond it. I think I needed to get that out of my system, to exorcise.
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