A Quote by Sloane Crosley

Yes. I am writing full-time. Which is strange. It feels like not having a job. — © Sloane Crosley
Yes. I am writing full-time. Which is strange. It feels like not having a job.
As well as writing novels and doing short-order journalism, I am also the full-time carer of my husband, who has Alzheimer's. Each day feels like a race that must be run.
For me, writing is fun. The day I quit my job and take up writing full time, writing will become just another job. A commercial necessity.
Unlike a typical professional, I can't quit my job to become a full-time author; I don't have that luxury. For me, writing is therapy; if I choose to write full-time, it might start feeling like work.
It's a life choice to be a girl chef, as it is to be a boy chef. It feels pretty natural to me. It's a full-time, full-scale, full physical job, and a lot of times, it can take the place of kids and family. To be in this career is much more difficult for a woman to have a family, marriage - whatever that means. It's not a 9-5 job.
When you first quit your regular job and you become a full-time writer, you are paralyzed with free time. You have so much free time. When you are at home, you have a guitar. There's a cat. You got to find ways to create an environment when writing is like going to work. Be efficient with the hours you put into the book. So I go there the same time, every day - like 7:30 am - and I leave around 2 pm, or longer, if I have a deadline.
I figure I wrote 37 songs in 20 years, and that's not exactly a full-time job. It wasn't that I was writing and writing and writing and quit.
I have read a thousand screenplays, and I have acted in a handful of them, and I have felt when it feels good, the writing, and it feels natural, and feels funny or sad or honest or whatever it may be. You connect. And I felt when it feels like writing, when it feels stale, or when it feels artificial or forced, or too theatrical or whatever.
There's always some reason not to be writing and I regret the times I give in to that, because then writing feels strange - I feel like I have to reinvent the wheel. There are poets who don't have to do that.
It's fiction's job to express how it feels to be living now, and it's a complex feeling, full of contradiction. To me it often feels like a brutal trivialization of reality.
First and foremost, I am a husband and a father, which is a full-time job.
When I'm writing solitude feels very good. But when I'm not writing it feels lonely... Having a big family solves that problem.
You see, I am friends with a lobsterman. Because we are friends, which feels lucky anyway, I get access to the most amazing fish. It's like having a backstage pass - a culinary jackpot that feels almost undeserved.
Most American Hispanics don't belong to one race, either. I keep telling kids that, when filling out forms, they should put "yes" to everything - yes, I am Chinese; yes, I am African; yes, I am white; yes, I am a Pacific Islander; yes, yes, yes - just to befuddle the bureaucrats who think we live separately from one another.
There are times I wish I didn't have a job, even though I love my job: I get to work with interesting, eccentric colleagues and equally interesting and eccentric subject matter, both of which are rarities. But, naturally, I would treasure having more freedom someday: of time and of movement. Will I always have a full-time job? I don't know. But I do know that I need to spend at least part of my week in an office, with other people.
I feel like I just want to enjoy life and spend time with my daughter who is about to turn two, which is full-time job and the hardest job I've ever had in my life.
My hands are already full writing and directing, because that's a full time job. Actually, that's why I don't produce as well, as there's already enough producers.
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