A Quote by Sly Stone

I feel albino musicians could neutralise all the racial problems. — © Sly Stone
I feel albino musicians could neutralise all the racial problems.
Racial problems can't be easily reconciled with a pat account about racism and discrimination that lets us sort of relax into saying when we finally get this right, when we get rid of racism, when we reach the post-racial society, everything is going to be okay. Well, no, because along the way here, as we've not yet been in this racial nirvana, facts on the ground have been created.
I just know there's an albino living in the colored quarters. I can feel it in my bones.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
We believe that we could do a great deal to neutralise regional conflicts. Also, for example, to continue joint activities in space, for peaceful civilian purposes.
I definitely learned to communicate with other musicians better. I used to feel so intimidated by guys who can read notes, like, "Oh my god, they're gonna think I'm not even gonna be able to sit at the table." But I've come to see that a lot of these musicians don't know how to read music either, and that made me feel good. I could just come up with ideas or show somebody things and get the ideas across.
My fight is not for racial sameness but for racial equality and against racial prejudice and discrimination.
I feel like musicians have such a precarious place in the political discourse, because musicians are, sort of just by nature, people-pleasers.
You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment.
The only time I feel complete expression is when I'm dancing. Then, I have no problems, no worries, no hang-ups. I feel I could do anything in the world.
It's just all love. That's what music is. That's why music is created. To make people feel good, to uplift people. That's what musicians are for: to give everyone an escape, to let everyone feel good and take people out of everyday problems, so that they can hear music and sing words that are hopefully relatable.
We just say there are five, you know, racial groups in the US. I say that these folks are what we call a sixth American. There's something different. They are somebody who - they don't exist in any particular racial category, so they all feel it and they kind of congregate to each other.
I do think of my work as being quintessentially American in that it could only have emerged in that particular situation that I find myself. I feel that a lot of my work is working on problems that might be specifically American problems, but not exclusively.
But he could not taste, he could not feel. In the teashop among the tables and the chattering waiters the appalling fear came over him- he could not feel. He could reason; he could read, Dante for example, quite easily…he could add up his bill; his brain was perfect; it must be the fault of the world then- that he could not feel.
I think racial profiling is wrong. It cannot be defended. It's just flat wrong. And if a matter came before me, and it could be established that the arrest was made strictly on racial profiling, when I was on the bench, it would be gone.
Most poor people in America are white. The family breakdown issue is an issue that crosses all sorts of racial lines. High school dropout issues. But because of the flow of events which involve the racial component, we've sometimes confused racial issues with other issues which are trans-racial.
People feel uncomfortable talking about racial issues out of fear that if they express things they will be characterized in a way that's not fair. I think that there is still a need for a dialogue about things racial that we have not engaged in.
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