A Quote by Smokey Robinson

One thing I can say about the Motown acts is that we were a family. That's not a myth — © Smokey Robinson
One thing I can say about the Motown acts is that we were a family. That's not a myth
One thing I can say about the Motown acts is that we were a family. That's not a myth.
There were a lot of great acts at Motown, and some of them were hard to get along with.
Every Motown act dressed classy, and we were clean-cut. Whenever you saw a Motown act, they were polished, and they knew how to treat people.
I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women. I'd been thinking about what I would want to do with that if I was going to write on that theme, and one morning I woke up and Calvin and Ruby Sparks were in my head.
The whole thing died in my mind long before the rumpus started. We used to believe the Beatles myth just as much as the public and we were in love with them just the same way. But we were four individuals who eventually recovered our individualities after being submerged in a myth.
Actually, there is no such thing as a homosexual person, any more than there is such a thing as a heterosexual person. The words are adjectives describing sexual acts, not people. The sexual acts are entirely normal; if they were not, no one would perform them.
Well, I had an after hours club in Vancouver and when any of the Motown acts would call.
Everyone you talk to in the world, whether they know it or not, because the catalog is so vast, a lot of times people have favorite songs that are Motown songs that they didn't even know were Motown songs.
The Jewish culture has a wonderful thing about education. It has a great thing about family; it has a great thing about unity, hard work, dedication. I would like to say the African-American community should emulate that.
There's a myth about actors saying, 'Oh no, that's not me on screen at all. I'm just acting.' OK, if I were to say to you that's not me, that's fine. And I would tell you that I don't behave like a villain everyday, and that's true, I don't. But to say there's absolutely none of me in there is ridiculous.
The deliberate and deadly attacks which were carried out yesterday against our country were more than acts of terror. They were acts of war.
In our family, as far as we are concerned, we were born and what happened before that is myth.
There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown.
My favorite period is when we lived in the land of the three-minute song. The Motown thing - I thought they were genius in knowing that's as much as a listener can take.
I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women.
I grew up when the whole Motown thing was huge. The charts in those days were dominated by groups more than solo artists at one point.
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