A Quote by Smokey Robinson
Before you ask some girl for her hand now, keep your freedom for as long as you can now. My Mama told me, you better shop around.
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My mom had always wanted me to better myself. I wanted to better myself because of her. Now when the strikes started, I told her I was going to join the union and the whole movement. I told her I was going to work without pay. She said she was proud of me. (His eyes glisten. A long, long pause.) See, I told her I wanted to be with my people. If I were a company man, nobody would like me anymore. I had to belong to somebody and this was it right here.
My mama never wore a pair of pants when I was growing up, and now that's all she wears. It was so funny for me when I first started seeing Mama wear pants. It was like it wasn't Mama. Now I've bought her many a pantsuit because she just lives in them.
I told her about the man, not my daddy, she said, He was only making you into a real girl. I didn’t understand. But I made myself believe her. I was a real girl now. But what was I before?
I often feel like I could fall off the face of the Earth. As long as 'Mama' was around, nobody would really miss me. People really think of her as an actual person. People all the time see me and ask, 'Where's Mama?' Like she should be with me.
Some people ask me whether I'm a 'mama's girl' or a 'papa's girl.' I'm nobody's girl. My brother clings to our parents; I'm the one shoving them out the door.
It wasnt until I was a sophomore in high school that I asked Mama if I could come into the kitchen and have her teach me how to cook something. Well, I wasnt in there five minutes before she said, OK, honey, you have to go now. I made her so nervous she was about ready to throw up. So I really didnt have an interest in being in the kitchen until after I was married, when I was 18. It didnt take me long to realize that Mama was not going to show up at my house every day and cook.
I thought about the difference between a mama's girl and a daddy's girl. I decided that a daughter who belongs to her daddy expects gifts, while a daughter who belongs to her mama expects a lot more. Not from her mama. From herself.
But her name was Esmé. She was a girl with long, long, red, red hair. Her mother braided it. The flower shop boy stood behind her and held it in his hand. Her mother cut it off and hung it from a chandelier. She was Queen. Mazishta. Her hair was black and her handmaidens dressed it with pearls and silver pins. Her flesh was golden like the desert. Her flesh was pale like cream. Her eyes were blue. Brown.
He released her with obvious reluctance and shoved open his door, then came around to open her door. His chivalry brought an even broader smile. "Bet this doesn't last long", she teased. He took her hand. "You keep waiting for me to open it, and I will keep coming around.
A friend told me the longer you keep Romano cheese, the better it gets. So, I kept it three years. And this thing turned mean. Now and then I'd open the refrigerator door and throw it some food. I'd have to walk it now and then. And then it grew this one leg. And it's got this ugly fuzz all over it. And the dogs won't run with it.
Well now, I'd rather have you than a dozen boys, Anne,' said Matthew patting her hand. 'Just mind you that — rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl — my girl — my girl that I'm proud of.
Simon I've been trying to call you, but it seems like your phone is turned off. I don't know where you are right now. I don't know if Clary's already told you what happened tonight. But I have to go to Magnus's and I'd really like you to be there. I'm scared for my brother. I never ask you for anything, Simon, but I'm asking you now. Please come. Isabelle. Simon let the letter fall from his hand. He was out of the apartment and on his way down the steps before it had even hit the floor.
Before Luce could reply, a skinny, dark haired girl appeared in from of her, wagging her long fingers in Luce's face. "Ooooooh," the girl taunted in a ghost-story-telling voice, dancing around Luce in a circle. "The reds are watching youuuu." "Get out of here, Arriane, before I have you lobotimized," the attendant said, though it was clear from her first brief but genuine smile that she had some coarse affection for that crazy girl. It was also clear that Arriane did not reciprocate the love. She mimed a jerking-off motion at the attendant, then stared at Luce, daring her to be offended.
Wanna rock you, girl, with a butterfly tunic. / No, I'm not gay, I'm just your emo enuch. / Gonna smile real shy, won't cop a feel, / 'cause I'm your virgin crush, your supersafe deal. / Let those other guys keep sexing. / You and me, we be texting / 'bout unicorns and rainbows and our perfect love. / Girl, we fit together like a hand in a glove. / Now I don't mean that nasty, tell your mum don't get mad. / I even wrote 'You're awesome' on your maxi pads.
"Clove!" Cato's voice is much nearer now. I can tell by the pain in it that he sees her on the ground. "You better run now, Fire Girl," says Thresh. I don't need to be told twice. I flip over and my feet dig into the hard-packed earth as I run away from Thresh and Clove and the sound of Cato's voice. Only when I reach the woods do I turn back for an instant. Thresh and both large backpacks are vanishing over the edge of the plain into the area I've never seen. Cato kneels beside Clove, spear in hand, begging her to stay with him. In a moment, he will realize it's futile; she can't be saved.
Make up your mind that nothing is more important than how I feel now, because now is everything. Now is the whole enchilada. Now is the power of me. Now, now, now, now, now... You might as well start somewhere, and it might as well be now. Why not start improving your life now, now, now?
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