A Quote by Smokey Robinson

That's because we did not set out to make black music. We set out to make quality music that everyone could enjoy and listen to. — © Smokey Robinson
That's because we did not set out to make black music. We set out to make quality music that everyone could enjoy and listen to.
What I did is I bought a drum set and I listened to 80s music, and I played, and I was, like, DJ'ing, and I said, 'this is what I wanna make. This is how I'm gonna give back to the people. I'm gonna make this party music.' It pulled me out of the depression, and then I've never been depressed since.
I set out to make music people enjoy, but it is really cool that it is helping people get through.
I never set out to be part of a genre, because I listen to all types of music.
Growing up, my grandmother did not want worldly music in the house. Then when I went out to California, I started listening to Spanish music, mostly Mexican music. But were I in Egypt, I would listen to the music of the people, or if I was in Italy, I'd listen to Italian music.
People used to say my music was too difficult or too obscure, and I never set out to be difficult or obscure. I just set out to write what I felt as honestly as I could, and I am delighted when other people feel a part of themselves in the music.
It's like this when you fall hard for a musician. It's a crush with religious overtones. You listen to the songs and you memorize the words and the notes and this is a form of prayer. You attend the shows and this is the liturgy. You're interested in relics -- guitar picks, set lists, the sweaty napkin applied to His brow. You set up shrines in your room. It's not just about the music. It's about who you are when you listen to the music and who you wish to be and the way a particular song can bridge that gap, can make you feel the abrupt thrill of absolute faith.
After university, I set out to see if I could make a career in music. It was a tough journey at first, but by the time I was 23 I'd been signed by A&M Records.
To have someone to relate to and hopefully enjoy the music and get a positive message out of it, to make the best music that we possibly could, those were the goals.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
I'm proud of 'Sinister' because Scott and Cargill did a great job on the movie, and I set up a framework for them to make what they wanted to make. They gave me the idea, and I figured out how to get it out into the world.
I don't set out to make a really hot shoe, I set out to make a product that is true to where I am.
I have that language and that set of skills to step out of the way and make music the priority.
I don't have to, like, try to come out with pop music because I feel that that's gonna make me sell a lot more. I mean, I make the music I love to make and that's it.
I have very diverse tastes in music, and I don't, like, make distinctions between what I can't and can't listen to. In fact, I could never understand why anybody would do that in the first place. My attitude is, 'I can't make music if I don't like music.'
When I listen to music, there's usually some aspect of that music that I like, and that's what I take and try to bring into my own music. Bringing in other musicians to collaborate with is a good way for me to test out new ways or make music that I might have not discovered on my own.
None of the jazz greats made music for the purpose of you going to check out music before them. Michael Jackson didn't make music so you could go check out Sam Cooke.
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