A Quote by Smriti Mandhana

It's funny, because earlier, I used to have questions about how you coped with the seniors in the team, and now I get questions about how you're guiding these juniors. — © Smriti Mandhana
It's funny, because earlier, I used to have questions about how you coped with the seniors in the team, and now I get questions about how you're guiding these juniors.
The great philosophers of the 17th and 18th centuries did not think that epistemological questions floated free of questions about how the mind works. Those philosophers took a stand on all sorts of questions which nowadays we would classify as questions of psychology, and their views about psychological questions shaped their views about epistemology, as well they should have.
I wanted to answer big questions about humanity, about how it is that we understand about the world, how we can know as much as we do, why human nature is the way that it is. And it always seemed to me that you find answers to those questions by looking at children.
The questions that we scientist have about Saturn's rings are the questions that an ordinary person might be moved to ask when first seeing them, you know. What caused them? How did they get there? How long have they been around? How long are they going to last?
The cool thing about Watchmen is it has this really complicated question that it asks, which is: who polices the police or who governs the government? Who does God pray to? Those are pretty deep questions but also pretty fun questions. Kind of exciting. It tries to subvert the superhero genre by giving you these big questions, moral questions. Why do you think you're on a fun ride? Suddenly you're like how am I supposed to feel about that?
Films used to be about challenging, emotional journeys or moral questions that might make you walk away and re-evaluate how you felt about... whatever. Now we're walking out of the cinema really not thinking about anything, other than the fact that the Hulk had a fight with a robot.
There's no necessary connection between maximizing social utility or economic wealth and creating a flourishing democracy. The first does not guarantee the second. The only way to create a flourishing democracy is to find ways to reason together about the big questions, including hard questions about justice and the common good, to reason together about these questions so that we as citizens can decide how to shape the forces that govern our lives.
I kind of feel, in a way, all of us will forever be asking those questions of ourselves: Who am I and how do I fit in in the world and what is all this about? Because those aren't really... there are no answers to those questions, in a sense.
I kind of feel in a way all of us will forever be asking those questions of ourselves. Who am I and how do I fit in in the world and what is all this about? Because those aren't really... there are no answers to those questions in a sense.
In the old economy, it was all about having the answers. But in today’s dynamic, lean economy, it’s more about asking the right questions. A More Beautiful Question is about figuring out how to ask, and answer, the questions that can lead to new opportunities and growth.
The lyrics are a lot about those big questions: why are we here, how did we get here, what's the point, and what's next. When those questions come up with fans, I would absolutely share with them what has helped me and where I stand on what it is that I believe.
It is not about classical career questions but about questions for your life. Those are the questions that drive you on as a human being.
G.E. doesn't pay any taxes, and we are asking college kids to take on even more debt to get an education and asking seniors to get by on less. These aren't just economic questions. These are moral questions.
Journalism isn't about how smart you are. It's not about where you're from. It's not about who you know or how clever your questions are. And thank God for that. It's about your ability to embrace change and uncertainty. It's about being fearless personally and professionally.
I was a bit nervous when I first entered the Indian dressing room. Some of the players sitting out there had 10 years of experience and were sitting in front of me. But then Virat Kohli and Ravi Shastri told me that there are no seniors or juniors in the team. So I could open up to them easily and irritate them with my questions.
I won't call my work entertainment. It's exploring. It's asking questions of people, constantly. 'How much do you feel? How much do you know? Are you aware of this? Can you cope with this?' A good movie will ask you questions you don't already know the answers to. Why would I want to make a film about something I already understand?
I like to engage the public because when I was in high school, I had all these questions about anti-matter, higher dimensions and time travel. Every time I went to the library, every time I asked people these questions, I would get some strange looks. Nobody could answer any of these questions.
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