A Quote by Snoh Aalegra
We have a lot of indie artists coming from Sweden, not so much soul. The closest thing we had was Robyn when she came out, but it's a different kind of R&B.
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I'm inspired by artists like Robyn, just because she writes amazing pop songs, and they're not throwaway. When I listen to a Robyn pop song, I don't feel like she's just kind of saying something and not thinking; I feel like it's really emotional.
The artists always reflect the times, so there's a lot to think about, a lot of unknowns, a lot of things that are describable. This is the closest I've seen to the kind of ambience that made the '60s happen. It's not about the artist having a responsibility to do anything. They have to be artists and express themselves and everything will work out fine.
When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music.
I was still in college when 'To Kill a Mockingbird' came out in 1960. I remember it had a kind of an electrifying effect on this country; this was a time when there were a lot of good books coming out.
I've seen a lot of people come out of Carol City, but I had this distinct vision for Carol City, just me coming out of there, because my music is so different from anybody else who came out of there.
The thing that really got me about Janis the most, was how liberated she was. She stood in that power even though it was kind of that platform of blues of being completely tormented, that enabled her to just stand there and let it go at a time when woman were not doing that...she just came out in the completely undone, unwrapped way and I think spoke right out of a woman's soul. Directly.
At that moment a very good thing was happening to her. Four good things had happened to her, in fact, since she came to Misselthwaite Manor. She had felt as if she had understood a robin and that he had understood her; she had run in the wind until her blood had grown warm; she had been healthily hungry for the first time in her life; and she had found out what it was to be sorry for someone.
Digital also had this evolution that came out of post-production. And George Lucas did it because he wanted to make a big movie with special effects. Sort of the opposite of what you'd think is an indie film. So it's coming from both these angles.
If you go back to the '80s, you had a whole plethora of artists, everyone from Madonna and Cyndi Lauper to Prince. God bless Lady Gaga for doing her thing, but she's kind of a lone peacock now. If anything, we have a much more conservative kind of pop world. It's not necessarily about individuality.
I had a hard time when I came back to Sweden and started school, because I looked different. And we moved to a really small town on the west coast of Sweden, and there were no brown people around. It didn't really get any better until I started music school at about 10 years old.
With Stacy, it was interesting because you know he was within all this chaos, all these different lives that were so broken and so much anger and so much frustration and their skating came out of that, their different styles came out of that.
Warhol came from an ordinary family and he had a profound understanding about capitalism and material culture. He was probably one of the few Western artists - or artists from the United States - that could be considered a true product of his time and brought out that kind of spirit of the culture.
I've had to ban my mum from coming to see me play. She gets so nervous before any show. I've always got a few nerves but she's so much worse than me. You'd think she'd be able to handle that kind of situation. After all, she is a concert pianist.
Not a lot of people take advantage of that opportunity of being different. A lot of kids that are highly touted coming out of high school, like, doing the traditional thing and going to the blue bloods and all that, but I was always different growing up.
It's true - my mother kicked me out the house at 14. I had to go live with my sister. I had some problems. I was very rebellious as a kid. I don't even know why or where it came from, but I had a lot of anger. Me and my mom clashed a lot because she didn't tolerate that, as she shouldn't from a 14-year-old.
I don't plan out my visits rigorously, but I do have a list of about 125 New York galleries, alternative spaces, museums, and so forth that I visit regularly. That's the closest thing I have to a strategy: I go to a lot of places, many that artists don't visit.
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