We, the Black masses, don't want these leaders who seek our support coming to us representing a certain political party. They must come to us today as Black Leaders representing the welfare of Black people. We won't follow any leader today who comes on the basis of political party. Both parties (Democrat and Republican) are controlled by the same people who have abused our rights, and who have deceived us with false promises every time an election rolls around.
We understand that, in our communities, black trans folk, gender-nonconforming folk, black queer folk, black women, black disabled folk - we have been leading movements for a long time, but we have been erased from the official narrative.
Although the civil-rights movement did a lot to change how black life was dramatized on the American stage in the fifties and sixties, white composers and lyricists often still rely on familiar tropes when it comes to representing black women in musicals.
If the churches don't move, much of the community won't move. We've got a situation in which a black church is still a major institution in the black community where 55 percent of the black folk attend and over 75 pass through its doors.
For most of recorded history, parental violence against children and men's violence against wives was explicitly or implicitly condoned. Those who had the power to prevent and/or punish this violence through religion, law, or custom, openly or tacitly approved it. .....The reason violence against women and children is finally out in the open is that activists have brought it to global attention.
The real political task in a society such as ours is to criticize the workings of institutions that appear to be both neutral and independent, to criticize and attack them in such a manner that the political violence that has always exercised itself obscurely through them will be unmasked, so that one can fight against them.
There are two types of folk music: quiet folk music and loud folk music. I play both.
It is extremely interesting to me that black males, and other black folk, are viewed as self-pitying, by either other blacks who have failed to accurately calculate their own diminished status as a result of racial animosity - both individual and systemic - or by whites who fail to comprehend how, after forcing black folk into subservience for hundreds of years, they now whine about small privileges that pale - so to speak - in comparison to the untold advantage of centuries of benefit.
In Matthew, Jesus declares, “Whoever is not with me is against me.” In Mark, he says,“Whoever is not against us is for us.” Did he say both things? Could he mean both things? How can both be true at once? Or is it possible that one of the Gospel writers got things switched around?
It seems to me that the real political task in a society such as ours is to criticise the workings of institutions, which appear to be both neutral and independent; to criticise and attack them in such a manner that the political violence which has always exercised itself obscurely through them will be unmasked, so that one can fight against them.
Representing young black girls and giving them hope and the light and letting them know that they can do anything is important to me as a little black girl, too.
Behind every person who’s committed an unimaginable crime is an adult who committed unimaginable violence against them as a child. All of them, as if it was plotted that way. Violence begets violence, and that violence begets even more violence.
I'm not just a black man, I'm a brotha. I love my people. When I'm on the air I am fully aware that I am not just representing myself but representing us.
I must remind you that starving a child is violence. Suppressing a culture is violence. Neglecting school children is violence. Punishing a mother and her family is violence. Discrimination against a working man is violence. Ghetto housing is violence. Ignoring medical need is violence. Contempt for poverty is violence.
Love's more than holding hands and going to dances. It's two people who struggle to live, even when they should maybe both be dead. When one of them would be better off dead.
Sixties folk rock was my original muse and the folk audience-people who listen to music off the beaten track-fostered my career. I definitely don't want to abandon the genre but I also need to make sure I'm Dar Williams first.