A Quote by Sobhita Dhulipala
There were huge films that I said no to because I felt I wouldn't have watched that film if it came out.
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I was 13 when I first saw my mum's films. There were these boys who said to me, 'Your mum makes sexy films,' and I said, 'She doesn't.' Then I watched them and my mum makes sexy films! I'm a huge fan of my mum.
Look at the films of Walt Disney: 'Snow White' came out in February 1938, and I can't think of another film from that year that's watched as much. The same is true of 'Bambi,' 'Dumbo'... even, frankly, 'Toy Story,' which is probably watched more than any other movie of 1995.
When I was a kid I was really into horror films. I watched every single horror film that came out in the 80s.
My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
I wanted to make a film that wasn't just a biography. When you watched it, you actually felt that you watched a movie, that you had an emotional reaction. In order to do that, I felt that I had to really keep myself emotionally raw while working on the film. I had to feel myself crying, so the audience could be moved, too.
I also watched where he [Ted Cruz] did a forum that looked like it came right out of a government agency, and it said on top, "Voter Violation," and then it graded you and it scared the hell out of people, and it said the only way you clear up the violation, essentially, is to go and vote for Ted Cruz. I watched that fraudulent document, and I said it's the worst thing I've ever seen in politics.
Hillary Clinton gave us ISIS, because her and Obama created this huge vacuum, and a small group came out of that huge vacuum because when - we should never have been in Iraq, but once we were there, we should have never got out the way they wanted to get out.
I watched war films so that I have an understanding of what has already been done and what I could do in 'Paltan.' I watched films like 'Atonement,' 'Schindler's List,' 'Inglourious Basterds,' 'The Reader,' 'Downfall,' 'Saving Private Ryan,' 'Katyn,' 'Enemy at the Gates' and many more. I hope it all reflects in my performance in the film.
The films that I loved growing up were the science fiction films from the late seventies and early eighties [films], which were more about the people and how they are affected by the environments that they are in. Whether they are sort of futuristic or alien of whatever they are; that was the science fiction that I loved. So that is what we tried to make, the sort of film that felt like those old films.
I made films with my brothers and my cousins and if any of the films ever come to fruition my career will be in ruins because the acting, writing, and directing is so unbelievably, heinously bad. We once screened one for my grandfather, this film that we had painstakingly made over a couple of days when we were all 10 years old, and he sat there and he said, "This is the worst film I've ever seen." No sympathy whatsoever.
Quentin Tarantino faced the same backlash when his films came out until eventually people felt they were actually much smarter.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
I watched a lot of soap operas like 'General Hospital' and 'Days Of Our Lives.' When it came to movies, my parents were quite strict. They would watch 'Flash Dance' but wouldn't let us see the whole film because Jennifer Beals' character was a stripper. It was so funny when I finally saw the whole film. I thought she was a ballerina!
Hindi film industry makes film for the rest of the world. Tamil films are watched by Malay people. When a film is not bound by a language, why should an actor be?
I don't know why I am not offered woman-oriented films. Films like 'Satrangee Re' went house-full at some centres, but I didn't have much to do in the film. Everyone came up to me and said that I looked pretty but nothing beyond that.
You have to go with your instincts. I remember when I was about to make "Fistful of Dollars" a big article came out that said, "Italian Westerns are finished." I said, "Swell." Then, of course, the film came out, and it did something. I'm so glad for the dozens of times I haven't listened along the way.
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