A Quote by Socrates

If a man comes to the door of poetry untouched by the madness of the Muses, believing that technique alone will make him a good poet, he and his sane compositions never reach perfection, but are utterly eclipsed by the performances of the inspired madman.
There is also a third kind of madness, which is possession by the Muses, enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric... But he, who, not being inspired and having no touch of madness in his soul, comes to the door and thinks he will get into the temple by the help of art - he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the madman.
If anyone comes to the gates of poetry and expects to become an adequate poet by acquiring expert knowledge of the subject without the Muses' madness, he will fail, and his self-controlled verses will be eclipsed by the poetry of men who have been driven out of their minds.
He who without the Muse's madness in his soul comes knocking at the door of poesy and thinks that art will make him anything fit to be called a poet, finds that the poetry which he indites in his sober senses is beaten hollow by the poetry of madmen.
The man who arrives at the doors of artistic creation with none of the madness of the Muses would be convinced that technical ability alone was enough to make an artist... what that man creates by means of reason will pale before the art of inspired beings.
For the poets tell us, don't they, that the melodies they bring us are gathered from rills that run with honey, out of glens and gardens of the Muses, and they bring them as bees do honey, flying like the bees? And what they say is true, for a poet is a light and winged thing, and holy, and never able to compose until he has become inspired, and is beside himself, and reason is no longer in him. So long as he has this in his possession, no man is able to make poetry or to chant in prophecy.
The poet is never inspired, because he is the master of that which appears to others as inspiration. He does not wait for inspiration to fall out of the heavens like roasted ortolans. He knows how to hunt...He is never inspired because he is unceasingly inspired, because the powers of poetry are always at his disposition, subjected to his will, submissive to his own activity.
For a poet is an airy thing, winged and holy, and he is not able to make poetry until he becomes inspired and goes out of his mind and his intellect is no longer in him.
If you can control a man's thinking you do not have to worry about his action. When you determine what a man shall think you do not have to concern yourself about what he will do. If you make a man feel that he is inferior, you do not have to compel him to accept an inferior status, for he will seek it himself. If you make a man think that he is justly an outcast, you do not have to order him to the back door. He will go without being told; and if there is no back door, his very nature will demand one.
God wanted man to know him somehow through his creatures, and since no creature could fittingly reflect the infinite perfection of the Creator, he multiplied his creatures and gave a certain goodness and perfection to each of them so that from them we could judge the goodness and perfection of the Creator, who embraces infinite perfection in the perfection of his one and utterly simple essence.
To awaken a man who is deceived as to his own merit is to do him as bad a turn as that done to the Athenian madman who was happy in believing that all the ships touching at the port belonged to him.
To be sane in a world of madman is in itself madness.
The natural inclination of man is to rely solely upon himself and to ignore the purpose of his existence as well as his relationship to God who is his spiritual father. If man will recognize his divine origin, he will then realize his Heavenly Father will not leave him alone to grope in darkness of mind and spirit, but will make available a power to influence him in right paths and into standards of good behavior. The Holy Ghost is that power.
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
I once sent him a song and asked him to mark a cross wherever he thought it was faulty. Brahms returned it untouched, saying 'I don't want to make a cemetery of your compositions.'
In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.
The dog is often quick to resent a kick, be it from man or beast, but I have never known him to show anger at the door that slammed to and hit him. Probably, if the door held him by his tail or his limb, it would quickly receive the imprint of his teeth.
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