A Quote by Socrates

To use words and phrases in an easygoing manner without scrutinizing them too curiously is not in general a mark of ill-breeding. On the contrary, there is something low-bred in being too precise. But sometimes there is no help for it
Make your copy straightforward to read, understand and use. Use easy words; those that are used for everyday speech. Use phrases that are not too imprecise and very understandable. Do not be too stuffy; remove pompous words and substitute them with plain words. Minimize complicated gimmicks and constructions. If you can't give the data directly and briefly, you must consider writing the copy again.
To care only for well-being seems to me positively ill-bred. Whether it’s good or bad, it is sometimes very pleasant, too, to smash things.
He is not well bred, that cannot bear ill breeding in others
I think growing up in Santa Fe or Northern New Mexico in general instills a sense of humor in people, a sort of easygoing sense of not taking yourself too seriously, while still being very proud of where you come from, and that's something we all share.
Nor use too swelling, or ill-sounded words . . . .
When you consider something like death, after which (there being no news flash to the contrary) we may well go out like a candle flame, then it probably doesn't matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly.
I'm pretty good at inventing phrases - you know, the sort of words that suddenly make you jump, almost as though you'd sat on a pin, they seem so new and exciting even though they're about something hypnopaedically* obvious. But that doesn't seem enough. It's not enough for the phrases to be good; what you make with them ought to be good too.
One may miss the mark by aiming too high as too low.
Sometimes, life just gets to me where I just get so frustrated to the point of tears. If my blood sugar drops too low, then I will get upset about anything. If too many things happen in a row, especially being on tour and getting ready to release all of these emotions into the world - I'm just an emotional person in general.
It's not that music is too imprecise for words, but too precise.
First, they were bred when I was not capable to observe or before I was born; likewise the breeding of men is of a different manner from that of women.
Few poets have made a more interesting rhetoric out of just fooling around: turning things upside down, looking at them from under the sofa, considering them (and their observer) curiously enough to make the reader protest, "That were to consider it too curiously.
What's comfortable to me is familiarity. Comfort has nothing to do with the size of the garment. I do find something quite comfortable and charming in a too-narrow shoulder, a sleeve that's too short or too long, a pant that's too high or too low, hems that are trod on.
I am an ordinary human being who is impelled to write poetry. ... I still do feel that a poet has a duty to words, and that words can do wonderful things, and it's too bad to just let them lie there without doing anything with and for them.
There is an ill-breeding to which, whatever our rank and nature, we are almost equally sensitive, the ill-breeding that comes from want of consideration for others.
Sometimes I need silence; sometimes I need voices around - but not too loud or distinctive. I guess it depends on the piece in question, what stage I'm in. I think some voices can help me not to try too hard - especially at the beginning stages. Does that make sense? By some voice I mean, low chatter in the room. When there's low chatter in the room, I'm a little more relaxed, my mind might be a little more open.
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