A Quote by Socrates

I was afraid that by observing objects with my eyes and trying to comprehend them with each of my other senses I might blind my soul altogether. — © Socrates
I was afraid that by observing objects with my eyes and trying to comprehend them with each of my other senses I might blind my soul altogether.
With five feeble senses we pretend to comprehend the boundlessly complex cosmos, yet other beings with wider, stronger, or different range of senses might not only see very differently the things we see, but might see and study whole worlds of matter, energy, and life which lie close at hand yet can never be detected with the senses we have.
Being blind is as simple as closing your eyes. The blind don't act any different than you or I. You never see a blind person going around saying, 'I'm blind.' So if you want to play blind just close your eyes and keep them closed and fare thee well.
Human beings are really attuned to their senses. When you work in film, you are working with the visual and audio senses. An understanding of tactile and other components that go into the creation of those objects are important to making them look real on screen, like a plasma of energy.
Genius awaits him who listens. The messages of genius are for the Soul of man. The senses of man comprehend them not.
When you talk about objects, one other thing automatically comes attached to that thing, and that is gestures: how we manipulate these objects, how we use these objects in everyday life. We use gestures not only to interact with these objects, but we also use them to interact with each other.
Crows pick out the eyes of the dead, when the dead have no longer need of them; but flatterers mar the soul of the living, and her eyes they blind.
Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos.
So let me tell you this, when it comes to...trying to introduce other people to Jesus. Don't get mad at them: it's not because they're stupid. It's because they're blind. Yelling louder, arguing harder, pushing firmer won't make someone who is blind see. Pray for them, speak to them, care for them.
There never is any such thing as one truth to be found in dramatic art. There are many. These truths challenge each other, recoil from each other, reflect each other, ignore each other, tease each other, are blind to each other. Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.
Imagination is the organ through which the soul within us recognizes a soul without us; the spiritual eye by which the mind perceives and converses with the spiritualities of nature under her material forms; which tends to exalt even the senses into soul by discerning a soul in the objects of sense.
We differ, blind and seeing, one from another, not in our senses, but in the use we make of them, in the imagination and courage with which we seek wisdom beyond all senses.
When my eyes meet his gaze as we're sitting here staring at each other, time stops. Those eyes are piercing mine, and I can swear at this moment he senses the real me. The one without the attitude, without the facade[...]
And you can put your total energy for the inner eye. The outside eyes are wasting eighty percent of energy - it is the major part. Man has five senses, eighty per cent is taken away by the eyes and only twenty per cent is left for the other four senses. They are very poor people, those four. Eyes are very rich, they have monopolised the whole thing; hence it is good - eighty per cent energy is saved - and that can be immediately used for witnessing, for seeing your inner world. hence in the East we call a person who is blind 'pragyanshakshu' - this word is untranslatable.
Blake said that the body was the soul's prison unless the five senses are fully developed and open. He considered the senses the 'windows of the soul.' When sex involves all the senses intensely, it can be like a mystical experence.
If you've got 15 actors on stage who are all trying to shine a light on themselves, they are all trying to outshine each other. Whereas if you have 14 of those actors trying to shine a light on one person, and each of them is trying to make the other look good, you have a much more interesting process.
We should find inspiration in the senses that already exist and try to copy them and apply them to us. If we compare our senses to the senses of other animals and species that we don't have, we can get ideas for new abilities that we can adapt to humans by applying cybernetics to the body.
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