A Quote by Sofia Boutella
I make body chains that come from the neck, cross in the middle of your chest, then go around your waist. I mix them with feathers for a gypsy, bohemian style.
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And if you had no tongue, no celebrating language, you’d do this: cross your hands at the wrist with palms facing towards you; place your crossed wrists over your heart (the middle of your chest, anyway); then move your hands outwards a short distance, and open them towards the object of your love. It’s just as eloquent as speech.
And then we were kissing. My hand let go of the oxygen cart and I reached up for his neck, and he pulled me up by my waist onto my tiptoes. As his parted lips met mine, I started to feel breathless in a new and fascinating way. The space around us evaporated, and for a weird moment I really liked my body, this cancer-ruined thing I'd spent years dragging around suddenly seemed worth the struggle, worth the chest tubes and PICC lines and the ceaseless bodily betrayal of the tumors.
In weightlessness, one of the physiological changes is a fluid shift. Your blood and fluid is equally distributed in your body. So that makes your calves and thighs and waist skinnier, and it makes your chest and women's breasts broader. The downside is your face is kind of puffy
Focus on your problem zones, your strength, your energy, your flexibility and all the rest. Maybe your chest is flabby or your hips or waist need toning. Also, you should change your program every thirty days. That's the key.
Feel the energy of your inner body. Immediately mental noise slows down or ceases. Feel it in your hands, your feet, your abdomen, your chest. Feel the life that you are, the life that animates the body. The body then becomes a doorway, so to speak, into a deeper sense of aliveness underneath the fluctuating emotions and underneath your thinking.
Anytime you turn on your own concept of God, you are no longer a free man. No one needs to put chains on your body, because the chains are on your mind.
Your whole body, from wingtip to wingtip," Jonathan would say, other times, "is nothing more than your thought itself, in a form you can see. Break the chains of your thought, and you break the chains of your body, too.
Granny beads are what they're called when a grandma works the garden all day - you always see them - they have a handkerchief around their neck with a lot of dust on them, and then the sweat will go down and make these black beads of sweat and dirt around their neck. And that's what they call granny beads.
I want to be inside you so badly, Grace,” he whispered. “I want to feel your legs wrapped around me, feel your breasts against my chest, hear you moaning as I make slow, sweet love to you. I want your smell on my body, your breath on my skin.
Classic burlesque in the style of Gypsy which many modern burlesque troupes practice is, at its core, so playful and teasing and innocent. It's not hardcore stripping so much as letting your body tell a story; the women are playing characters and unfolding a complete narrative onstage, with beginning, middle, and end.
You must fill every inch of your body with the asana from your chest and arms and legs to the tips of your fingers and toes so that the asana radiates from the core of your body and fills the entire diameter and circumference of your limbs. You must feel your intelligence, your awareness, and your consciousness in every inch of your body.
When you have children, it's like having your heart beating outside your chest. You can drive yourself crazy wanting to protect them and make sure that nothing harms them. It's a feeling of vulnerability that you can't get around sometimes.
"Abby," he murmured, lifting a hand to curve around her neck. "I love you." A sob slipped free and she wrapped her arms around his waist. One of his hands cupped the back of her neck and cuddled her in close. As he bent around her, he whispered, "I’ve loved you so long, I can’t remember what it’s like to not love you. And I’ll go to my grave loving you. You’re my everything."
You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you. The camera is an instrument that teaches people how to see without a camera.
When you come back to God for pardon and salvation, come with all you have to lay all at his feet. Come with your body, to offer it as a living sacrifice upon His altar. Come with your soul and all its powers, and yield them in willing consecration to your God and Saviour. Come, bring them all along-everything, body, soul, intellect, imagination, acquirements-all, without reserve.
Not to be vain, but I have nice long legs, so I like to accentuate them. Find what part of your body you love most - it can be your arms, your chest, your legs - and emphasize that.
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