A Quote by Sofia Helin
When you grow up around sadness, it affects the way you see the world.
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It was interesting to find how dominating American vision is all over the world. I think there's something to be said about the world's mindset and its economics and all of that, and I think it affects the way we see ourselves and it affects music.
SADNESSES OF THE INTELLECT: Sadness of being misunderstood [sic]; Humor sadness; Sadness of love wit[hou]t release; Sadne[ss of be]ing smart; Sadness of not knowing enough words to [express what you mean]; Sadness of having options; Sadness of wanting sadness; Sadness of confusion; Sadness of domes[tic]ated birds; Sadness of fini[shi]ng a book; Sadness of remembering; Sadness of forgetting; Anxiety sadness.
Playing on turf affects everything, you know, it affects the way the ball rolls, it affects the way the ball bounces, it affects the way you think about whether or not going into a slide. It's kind of a nightmare.
I fight for the environment because we only have one planet, but I see how the environment affects poverty and how the environment affects women around the world.
I have to grow up and be my own man and look after my own family and make sure that my wife and baby are comfortable with what I'm saying, so if that affects them, then it affects me.
'Saw VI' has a really interesting theme about the ripple effect. Everything you do affects the guy next to you, which affects the guy next to him, which affects her over here. And you might think that what you're doing is not that significant, but just the way you respond to other people makes the world the way it is.
I can see that the sadness has returned. And it's not a beautiful sadness- beautiful sadness is a myth. Sadness turns our features to clay, not porcelain.
In a way, going to Africa allowed me to see possibilities that sometimes seem impossible in certain conditions. It also allowed me to see opportunities for material strategies. I hate it when people think I went and got something [from Africa] and brought it here. It's more about how it affects the way in which I work and affects [my] creativity.
I have two younger sisters, and during those first four years when I was in Argentina, I wasn't around to see them grow up. It was very hard for all of us because missing out on that period and not seeing them grow up was tough for me.
You might find it difficult to see anything but your own sadness, the way smoke can cover a landscape so that all anyone can see is black. You may find that if someone pours water all over you, you are damp and distracted, but not cured of your sadness, the way a fire department can douse a fire but never recover what has been burnt down.
I just have always been so interested in the way actors and actresses present themselves to the world because I think it is very important and it affects the way people see you as an actor.
I get this anxiety in cities and places like that. When you grow up in kind of a small town and when you grow up around a lot of green and trees and nature and that sort of thing, sometimes I think it's a little mentally disconcerting to be around this concrete.
For a moment she'd wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry.
As long as we are children, we have the ability to experience things around us--but then we grow used to the world. To grow up is to get drunk on sensory experience.
He was swept with a sadness, a sadness deep and penetrating, leaving him desolate like someone washed up on a beach, a lone survivor in a world full of strangers.
I want to see my kids grow up in a world that I grew up in, which was it had imagination and it had hope. And all of a sudden, I see that being dissolved, and I see, as a country, as a people, we are a republic. We are a democracy.
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