A Quote by Sofia Helin

I like going for walks in the western harbour, a newly-built area of Malmo where the old harbour used to be. It is surrounded by canals and waterways and the architecture is modern and innovative - the landmark Turning Torso skyscraper, designed by Santiago Calatrava, is the star of the show.
Man is not a ship in harbour; Earth is not a ship in harbour; even Universe is not a ship in harbour! No safe harbour for anything exists!
I'm well into sort of Santiago Calatrava and people like that.
Until the Eighties, Oslo was a rather boring town, but it's changed a lot, and is now much more cosmopolitan. If I go downtown, I visit the harbour to see the tall ships and the ferries, and to admire the modern architecture such as the Opera House or the new Astrup Fearnley Museum on the water's edge.
A building does not have to be an important work of architecture to become a first-rate landmark. Landmarks are not created by architects. They are fashioned by those who encounter them after they are built. The essential feature of a landmark is not its design, but the place it holds in a city's memory. Compared to the place it occupies in social history, a landmark's artistic qualities are incidental.
Australia is an island surrounded by water. My fondest memories growing up were trips to the beach, walking around the harbour and playing in the beautiful parks.
The last spectacle of which Christian men are likely to grow tired is a harbour. Centuries hence there may be jumping-off places for the stars, and our children's children's and so forth children may regard a ship as a creeping thing scarcely more adventurous than a worm. Meanwhile, every harbour gives us a sense of being in touch, if not with the ends of the universe, with the ends of the earth.
I cannot imagine not going home to animals. They are the closest thing to God. They don't harbour resentment.
Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization. The skyscraper is the point where art and the city meet.
All important architecture of the last century was strongly influenced by political systems. Look at the Soviet system, with its constructivism and Stalinism, Weimer with its Modern style, Mussolini and, of course, the Nazis and Albert Speer's colossal structures. Today's architecture is subservient to the market and its terms. The market has supplanted ideology. Architecture has turned into a spectacle. It has to package itself and no longer has significance as anything but a landmark.
There's that old cliché which has a lot of basis in truth, that all music journalists are failed rock stars. They all harbour the inner feeling they should be up under the spotlight and the microphone is there for them.
One of the stated goals of the postmodern movement in architecture was a greater sensitivity to the people who live in or use newly designed buildings.
I had my first museum showing of my slide show in Rotterdam, in 1983. I love Rotterdam. I love harbour cities in general.
I just crushed Stranger Things. It's got one of my favorite actors, David Harbour. And obviously Breaking Bad and stuff like that.
I'm not a Bal Harbour Shops kind of guy.
A ship in harbour is safe, but it's not fulfilling its potential
Every painting is a voyage into a sacred harbour.
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