A Quote by Sofia Helin

In fact I spent a lot of time in my childhood trying to figure out what other people wanted of me. That made me study other people very much. Then I actually started university and I got quite bored. This is when I found out I wanted to be an actor.
A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
I spent a lot of my 20s just trying to make other people happy, rather than trying to figure out if doing that made me happy.
My father is an actor, so he brought me into his agency when I was young. It wasn't something I wanted to do until high school, when I started taking theater and really liked it. Then an agent found me and wanted me to come out to Los Angeles and give it a shot. I gave myself six months, but it only took me like a week to get a job.
After university, I went into film. I started out making tea, managed a brief stint as an assistant director, then found myself writing a screenplay. In the end, I wrote quite a few - but by January 2006, I wanted out.
A study at the University of Utah found that if you ask someone why he is friendly with someone else, he’ll say it is because he and his friend share similar attitudes. But if you actually quiz the two of them on their attitudes, you’ll find out that what they actually share is similar activities. We’re friends with the people we do things with, as much as we are with the people we resemble. We don’t seek out friends, in other words. We associate with the people who occupy the same small, physical spaces that we do.
Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.
It's funny that Chairman Mao's great hero was Napoleon, because Napoleon started out as a revolutionary for the underdogs and then made himself an emperor. In fact, a lot of revolutionary leaders do that, and you think, "Well, that's spoiling your argument. What are you doing?" But on the other hand, the people themselves are enjoying trying out all these different ways to be. I hope that, like the Japanese, the Chinese hang on to their own traditions as well as try out Western ones. I hate it when people just lose so much confidence in who they are that they abandon their own culture.
I wanted to play my original music, but it was really hard because a lot of the people who would come out to the shows found out about me through 'The Voice' and wanted to hear covers.
Obviously I've always loved singing and performing, but I fell in love with songwriting and then I enjoyed doing that for other people and getting coached. But then I kind of stumbled into the right group of people that really started to create some unique music for me and what I wanted to say, so then it made me want to be an artist.
Yes, I started piano and classical singing, I wanted to study jazz, but I tried to go to the Polish University of Jazz, but they didn't want me. In Krakow, I wanted to conduct, they didn't want me. And I start to think, 'I have to do something.' In Krakow there was drama and music. I started to study.
When I found out how music made me feel and how my singing made other people feel, that's when I decided this is what I wanted to do.
I just started to understand my craft, what I wanted to do as an artist. It's just a growing process. Figuring out exactly what I wanted to do and obviously I toured a whole bunch. I did a lot of song writing for other people and then just settled back into my zone.
My security comes from my senses, my sensing the direction I should go and suddenly I felt out of tune, out of step with what other people wanted or what other people expected of me.
I spent a lot of time doing things other people wanted me to do, so I'm doing what I want to do now.
I spent a lot of time doing things other people wanted me to do, so I'm doing what I want to do now
I wanted to be a cartoonist, and then I wanted to go into film - not as an actor, but as a writer-director - and then I found myself during film school at the University of Southern California listening to the Clarence Thomas hearings in class on my Walkman, and I realized L.A. was not really for me.
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