A Quote by Soha Ali Khan

We are a family that likes to keep things abreast about what's happening in the country so dinner table conversations revolve around Social, political, films... a bit of everything. Films we talk about the least in fact.
I definitely care about what's happening in our country. I grew up in a family that was very liberal and had very strong opinions about liberal ideas. I was around those thoughts and had conversations about those things and did the best I could to absorb what was happening around me and have my own opinion about it.
My family was in two businesses - they were in the textile business, and they were in the candy business. The conversations around the dinner table were all about the factory floor and how many machines were running and what was happening in the business. I grew up very engaged in manufacturing and as part of a family business.
The film has been titled 'Uncle,' and will revolve around a family, like 'Shutter.' The social and political milieu of Kerala is of much importance in the movie and it's about an unusual situation a family is made to face.
My friends are always honest with me about films. But I really wanted to talk to regular people and kind of have a forum to interact with them; not just about films, but about everything.
I often find in the film world, that it's very self-referring. If you talk to someone about films, they talk about them in terms of other films - rather than as something that happened to them in their life. And I'm really keen to get back to film as a reference to real things, not necessarily to other films.
You don't see Indians in Hollywood films around which a story can revolve. As soon as we have a social presence in your society, I am sure there will be many actors from our part of the world that will be acting in Hollywood films.
If you grow up and your mother or father is a doctor you talk about medicine at the dinner table. In our case we talked about politics at the dinner table.
I think that my films are basically family stories, beyond the fact that they are global and have political and social commentary.
Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.
I want to make films that are political and social. Films with a message or an idea. Films that dare to ask.
Neither of my parents are involved in politics or anything like that, but my dad is political, certainly, and we would have always talked about politics and religion and money, and all those things that you're not supposed to talk about at the dinner table, we did.
The world doesn't just revolve around you. There's a lot of talk in this country about the federal deficit. But I think we should talk more about our empathy deficit.
My folks are economists and have taught economics and social science so I grew up with those kind of conversations around the dinner table.
After 20 years and 250 mainstream films, I thought I should have in my library at least 50 films, films that will be talked about when I am no more.
From my films, you can at least learn about Iran, you can get a sense of the history and the society. But no such films have been made about Afghanistan, so you really can't know much about it.
There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.
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