A Quote by Sol Campbell

Politics is very hard work. You have to really commit to things. Some people get into it for the wrong reasons. — © Sol Campbell
Politics is very hard work. You have to really commit to things. Some people get into it for the wrong reasons.
One of the biggest problems women have is they work really hard and put their heads down and assume hard work gets noticed. And hard work for the wrong boss does not get noticed. Hard work for the wrong boss results in one thing - that boss looks terrific, and you get stuck.
People that I know, the vast majority, who are successful work really, really hard. Sure, there's some people that either get lucky or inherited it or don't have to work hard for some reason, but the vast majority who are successful work really, really hard.
Among the reasons that you go into journalism, I suppose, are some rather idealistic, even foolish reasons. In my case one of the reasons was I wanted to explain how things really work, how political power really works.
Find something you love and commit. Commit 100%. Put your head down, and work as hard as you can. Make it as best you can, and that's all you can really do. It doesn't sound like much, but lots of people don't do the work. And it's not men or women. Lots of people like to be the director, but don't like to do a lot of the work that is sometimes quite tedious.
When everything in your life is right on track, it's easy to believe that things happen for a reason. It's easy to have faith. But when things start to go wrong, then it's very hard to hold on to that faith. It's hard not to wonder who's reasons these things are happening for.
Performance-wise, you really need to be down in the trenches; you need to do the hard work, for a lot of reasons: To build yourself as a performer, to get a sense of the audience, to work hard and to wonder, 'Do I really want to do this?'
One of the things that really has gone wrong in modern politics, one of the things that made Trump possible was that many people have a view of politics as something dramatic and exciting and thrilling and emotional.
I've been very blessed to work in some films that I'm very proud of. When you're going to commit yourself to a series, to a certain degree, you're almost saying, "Okay, some of these opportunities, I'm just not going to be available for," so it has to be something that you really, really are passionate about.
There are no right and wrong ways to work in this business, but there are some basic common-sense practices. Work very, very hard and always be prepared; never give up; and once you get the job, give them more than they ever expected: - Shine!
I don't think I'd really talked about politics - governmental politics specifically - very often, and it was a bit of a stretch for me to do so for a variety of reasons, not the least of which is that I'm not that well-versed or educated in politics.
Go work until you can get the job you that want to have. And I'm really lucky to get to work with a lot of entrepreneurs that are building some of the coolest, new stuff in the world and these guys and girls work really hard and they put in the hours and they're generous and care about other people and it's what led to their success.
Everybody wants a big crowd. You get amazed sometimes with certain things that millions of people are watching and you go, "Serious?! Really?!" And then, there are things that you really, really enjoy and not a lot of people are watching. It's very, very hard to predict how it works.
You only get points when you make something the market wants. So if you work really hard on the wrong things, no one will care.
I am good in the fact that most of my reviews have been very positive really. I get pretty good reviews. There have been some that aren't - critical. I think they are extremely - the people that wrote them really don't understand what they are looking at quite frankly or have a very preconceived notion of what conceptual art should be or where I am at or the fact that I may change what I have done from what I did 20 years ago. But there is always some reason that they just sort of get it wrong. And so it certainly doesn't affect my work.
You just have to work really hard and throw everything into it. ... It's really hard to be an artist, and even if you do work really hard, there's no guarantee about anything. There's no advice you can give someone that things will somehow work out, but you can talk to people about how they can make art a big part of their life.
Sometimes I get slammed because I work at Fox and I am black. People are like, 'How could you work there? Who are you?' People really want to know what are your politics personally. Some of them, not everybody.
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