A Quote by Sol Campbell

I have the tools to climb the mountain so I don't mind climbing mountains. I have climbed mountains since I was growing up in east London in Plaistow. I'm not scared of climbing mountains. When you get to the top, the view's great. That's what it's all about.
Climbing the mountain is always more fun than sitting at the top. It's just you have to find different mountains to climb.
Climbing is actually a great sport for blind people and that carried me on to climbing bigger and bigger mountains, snowy mountains, ice faces, and developing different techniques to be able to do that.
You don't climb mountains without a team, you don't climb mountains without being fit, you don't climb mountains without being prepared and you don't climb mountains without balancing the risks and rewards. And you never climb a mountain on accident - it has to be intentional.
Ninety per cent of the tourists climbing big mountains are on 10 mountains - and one million mountains in the world are empty.
You soon realize that the peak you've climbed was one of the lowest, that the mountain was part of a chain of mountains, that there are still so many, so many mountains to climb...And the more you climb, the more you want to climb - even though you're dead tired.
Before practicing meditation, we see that mountains are mountains. When we start to practice, we see that mountains are no longer mountains. After practicing a while, we see that mountains are again mountains. Now the mountains are very free. Our mind is still with the mountains, but it is no longer bound to anything.
The thing about mountains is that you have to keep on climbing them, and that it's always hard, but there's a view from top every time when you finally get there.
There may be more to learn from climbing the same mountain a hundred times than by climbing a hundred different mountains.
There was a windstorm in L.A., and the morning after there was no smog, and I could see the mountains. And I was like... 'There's mountains? Snowcap mountains?' That's insane; I've been there for thirteen years, and I've never seen that view before, seeing the mountains in the distance.
The number one metaphor I have in my mind for writing a screenplay is that...you're trying to climb a mountain blindfolded. And the funny thing about that is, you think, 'Okay, that's hard because you're climbing up a rock face, and you don't know where you're going, and you don't know where the top is, you can't see what's below you...' But actually the hardest part about climbing a mountain blindfolded is just finding the mountain.
I grew up climbing mountains in Montana and Wyoming and my wife and I were engaged on top of a mountain peak: Hyalite Peak in Montana. It was a 15-mile hike to get to the top of that, round-trip - thankfully, she said yes.
In a sense everything that is exists to climb. All evolution is a climbing towards a higher form. Climbing for life as it reaches towards the consciousness, towards the spirit. We have always honored the high places because we sense them to be the homes of gods. In the mountains there is the promise of... something unexplainable. A higher place of awareness, a spirit that soars. So we climb... and in climbing there is more than a metaphor; there is a means of discovery.
We as children went up the mountain to find feed for livestock, like goats, cows and horses, and because in the winter time we would light the fire in the house, we would climb the mountain to collect firewood as well. Because of that, I suppose I became used to climbing mountains.
The secret of the mountain is that the mountains simply exist, as I do myself: the mountains exist simply, which I do not. The mountains have no "meaning," they are meaning; the mountains are. The sun is round. I ring with life, and the mountains ring, and when I can hear it, there is a ringing that we share. I understand all this, not in my mind but in my heart, knowing how meaningless it is to try to capture what cannot be expressed, knowing that mere words will remain when I read it all again, another day.
The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest).
Mountains should be climbed with as little effort as possible and without desire. The reality of your own nature should determine the speed. If you become restless, speed up. If you become winded, slow down. You climb the mountain in an equilibrium between restlessness and exhaustion. Then, when you're no longer thinking ahead, each footstep isn't just a means to an end but a unique event in itself. To live only for some future goal is shallow. It's the sides of the mountains which sustain life, not the top.
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