A Quote by Sol Campbell
Some players can just act like 'whatever' off the field and then play amazing. Not many, but some. I just wasn't wired like that.
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When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
For me, the biggest champions out there are not just on the field, but also off the field. Some of the biggest champions around the world, the David Beckhams, the Lebron Jameses, they all hold themselves so well off the field, and do so many great things for the community and socially. So I think it's not just about how you perform on the field, but how you hold yourself off it.
There are a lot of players when I watch them playing I say, 'Amazing, I want to do like them.' But not to be like them - just some parts to copy. But always be myself and always play my own style.
I've always stood for my people, with my people, but some guys just don't have voices like that. I don't like the pressure some people put on others. Some people are just not built for it. Some guys just play basketball, they don't talk, they don't post. Everybody in the '60s wasn't in the civil rights movement.
I don't like it when people who are young act like they're 40. That's taking too much on. Putting up a shield and trying to act like you're so mature or whatever - I don't try to act mature. Some people might say I'm mature for my age, but it's not something I'm trying to do, you know? I'm just me.
I hope maybe one day I can be like Wayne Rooney. Maybe then some young players will be proud to play against me. That would be amazing.
Some players are more physical than others, some play with more finesse. Some are just really great all-around players. So you have to change your game.
When I was in grade five or six, I just remember quite a lot of people were always talking about me like I was some kind of math genius. And there were just so many moments when I realized, like, okay, why can't I just be like some normal person and go have a 75% average like everyone else.
I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon. Part of the reason I work on stuff for so long is just because I love working on it. It's not that I'm haunted by some ghost sound. I just have nothing else to do with my life. Some people like to obsessively shop online. I like to obsessively rack up studio bills.
I think a smart guy can learn. Some guys learn - it's just like all of us - some guys can learn electronics, some of us can't. Some people can learn something else, some of us can't. I mean, we're all wired differently.
You hear a few people saying that, you know, maybe some of the past male players like to watch me play or whatever else, just because I play a bit differently and maybe they can relate to it a bit more with a bigger forehand rather than a backhand, good serve and whatnot.
The amazing thing about the cistern is that, if you're improvising in a dead room, you play your note and then you're left with your thoughts and you have to be really quick on your feet and be able to move through many different musical thoughts seamlessly. Improvising there is just, like, you play a note and then you had at least ten seconds to think, "What would be the perfect accompanying note to that?" And then you could add that note. You can just build this puzzle that was really amazing.
I just think some people don't like me. They don't like what I do or what I stand for or who I am. I catch criticism for doing things off the field and for getting the attention I get for playing in New York.
People are wired for lots of things. We're wired for novelty. We're wired for humor. We're wired for new pieces of information that surprise us in some way or add value to our lives. We're wired for fear.
The great thing about [Michael] Jordan was that he made them want it just like he wanted it. And a lot of times like a lot of the basketball players, not to be getting on basketball, but, with a lot of the basketball players you might have one superstar on the team, and they're not willing to play up to par with the way he is, so they don't make it. But then you have some celebrities on the basketball team, and they don't know how to get along with each other!
Actors are like kids, they need to play a little bit. And that's the nature of their job, they need to shake off some energy and then you as the director get them back on track. When you do loosen up the reins, you get some amazing things, but you have to wring out the performances for every last good drop.
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