A Quote by Sol LeWitt
The artist is seen like a producer of commodities, like a factory that turns out refrigerators.
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The artist is seen like a producer of commodities, like a factory that turns our refrigerators.
Today, there are also buyers and sellers of all these energy commodities, just like there are buyers and sellers of food commodities and many other commodities.
I like Willy Wonka and the chocolate factory because some children deserve to be taken to a chocolate factory and tortured. I like Dawn of the dead because you don't normally get to kill all of the zombies hanging out at the mall.
I like to make records sound good. I'm more like a reducer than a producer. If an artist cannot produce themselves, what's the point?
I like to entertain people according to what they're saying entertains them. As an artist, musician, songwriter and producer, I sit back and hear it, and... if that's what y'all like, I can do that.
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
What is the free market? Well, the free market, [we're told] is really a terrible, inhuman kind of arrangement, because it treats people like commodities. But how does the government treat people? Like garbage-worse than garbage. Not like commodities, but like nothing. We libertarians understand that we are not humane, we are not compassionate. It's the leftists and the liberals, they're the ones who are human and compassionate, but you'd better not get in their way.
I'm a SoundCloud, online kind of artist. It's not like back in the day when everyone was like linking up physically to do music. But with the album, I did have my first experience with meeting with a producer and us making things from scratch.
There is quite an important director in Germany who I think in the early fifties over here, and then went back, and he said something that's absolutely true. And it's more important to repeat that today than it ever was. Not for you, but for us over there it is important. He said, 'In America they make movies like art, and sell it like commodities. We make make movies like commodities and sell them like art.'
People don't say, 'I just had a kid and I hope it turns out to be a factory worker.'
They [ Factory Records] are always looking for the next group, the next big thing, to bring the record sales in and for them to promote and everything, but Factory just sign who they want to, put records by who they want to out, package it how they want to, how they like doing it. It's just run like that.
When I first started out, they were like, 'Is there anybody that you like that you want to work with, and we'll see what we can do?' And I went, 'I like Malay,' who's Frank Ocean's producer, and they were like, 'Not going to happen.' It did seem so, like, high-in-the-sky sort of thing, do you know what I mean? It still does, that it happened.
It turns out the population issue is an easier thing to deal with than the consumption issue. Some obvious extremes in consumption we can deal with. The standard cure for a stuttering economy is to go out and buy an SUV and three more refrigerators. That's obviously not the way to go.
I feel like Travis [Stevens] is just a Midas touch producer. Seemingly everything he touches turns to gold lately, so that was quite exciting looking at that prospect.
When you're a producer and an artist you're very critical of yourself. I like to produce other people, but I'm not that good at producing myself.
When we first started Fear factory, we asked ourselves what Fear Factory means, it was a cool name, but what did it mean? We obviously embraced the technological side of a factory, as a factory can be anything from something that insights fear, like a government machine, to something of futuristic technology, or it could be religion. So we embraced the technological side of it back in the early days.
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