A Quote by Sol LeWitt

New materials are one of the great afflictions of contemporary art. Some artists confuse new materials with new ideas. — © Sol LeWitt
New materials are one of the great afflictions of contemporary art. Some artists confuse new materials with new ideas.
Art today is a new kind of instrument, an instrument for modifying consciousness and organizing new modes of sensibility . . . . Artists have had to become self-conscious aestheticians: continually challenging their means, their materials and methods.
Biologically inspired materials could revolutionize materials science. People looking at spider silk and abalone shells are looking for new ways to make materials better, cheaper, and with less toxic byproducts.
Modern architecture does not mean the use of immature new materials; the main thing is to refine materials in a more human direction.
We're all like little ants who scurry around with the materials that are at hand right now. Each generation finds new materials. Its just evolution, isn't it?
The function of entrepreneurs is to reform or revolutionize the pattern of production by exploiting an invention or, more generally, an untried technological possibility for producing a new commodity or producing an old one in a new way, by opening up a new source of supply of materials or a new outlet for products, by reorganizing an industry and so on.
The future does not really lie in discovering new fragrant raw materials.... In order to endure, haute perfumery is therefore condemned to inventing new olfactory promises...to finding a new form of expression.
Making clothing is not just about the application of style and technique. At some stage, you want to experiment with new materials, or experiment in making materials. When you have a material to yourself, you get to make something totally new based on how that material acts. The access afforded by this tannery pushes you beyond your comfort or knowledge zone of hue and texture, forcing you - the designer - to think about how that flat plane will act when it enters the third dimension.
For a sculptor, a painter, a weaver, a potter, the dialogue between one's materials and what one makes from them is easy to see: discover a new material or a new way to use a familiar one, and new things can be made, sometimes leading to the discovery of more new material, leading to more creation.
I always believe in doing new things and using new materials that I have never used or that I didn't like for a long time.
Humanity stands ... before a great problem of finding new raw materials and new sources of energy that shall never become exhausted. In the meantime we must not waste what we have, but must leave as much as possible for coming generations.
Objects of every sort are materials for the new art: paint, food, chairs, electric and neon lights, smoke, water, old socks, a dog, movies, a thousand other things which will be discovered by the present generation of artists.
Hospitality is the key to new ideas, new friends, new possibilities. What we take into our lives changes us. Without new people and new ideas, we are imprisoned inside ourselves.
I am passionate about what design can do - how far it can support the new ideas and the new ways of living of this 21st Century. Good design accelerates this exciting future where manufacturing is local, materials and processes are cradle to cradle, business models are both socially and financially driven.
Whatever the medium, there is the difficulty, challenge, fascination and often productive clumsiness of learning a new method: the wonderful puzzles and problems of translating with new materials.
I defy anyone to design a hat, coat or dress that hasn't been done before...The only new frontier left in fashion is the finding of new materials
A man practices the art of adventure when he heroically faces up to life. When he has the daring to open doors to new experiences. When he is unafraid of new ideas, new theories and new philosophies. When he has the curiosity to experiment. When he breaks the chain of routine.
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