A Quote by Sol LeWitt

The idea becomes a machine that makes the art. — © Sol LeWitt
The idea becomes a machine that makes the art.
When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.
True art means if it helps you to become silent, still, joyous; if it gives you a celebration, if it makes you dance—whether anybody participates with you or not is irrelevant. If it becomes a bridge between you and God, that is true art. If it becomes a meditation, that is true art. If you become absorbed in it, so utterly absorbed that the ego disappears, that is true art.
I think TV promulgates the idea that good art is just art which makes people like and depend on the vehicle that brings them the art.
The environment becomes inspiration. My response to it becomes idea. And idea becomes purpose and action through interpretation and painting.
Whatever machine you use, however sophisticated your technology , it's ideas that count. In the beginning was the idea. No machine will give you the ability to spot an opening, take a new idea, and see it through to profitable fruition.
When the term 'machine gun' enters common parlance, the word 'machine' becomes much more sinister.
When the term "machine gun" enters common parlance, the word "machine" becomes much more sinister.
There's a time when the operation of the machine becomes so odious, makes you so sick at heart, that you can't take part; you can't even tacitly take part. And you've got to put your bodies upon the gears and upon the wheels, upon all the apparatus and you've got to make it stop. And you've got to indicate to the people who run it, to the people who own it, that unless you're free, the machine will be prevented from working at all.
...if photos can reproduce the world more perfectly than any painter, can capture an instant, a look, a gesture, then what makes a painting good anymore? Painting subverts this subversion of its traditional nature by redefining itself - art is idea, not simply skillful execution. So, a work can be crudely made, or even machine made - but it has to be practically and functionally useless.
The idea of "making art for art's sake" makes no sense for me. Each area of my life, all the roles I play, influences the others.
Art becomes a spiritual process depending upon the degree of commitment that you bring to it. Every experience becomes direct food for your art. Then your art teaches you about life.
The creative phase of an idea coincides with the period during which it insists, cantankerously, on its boundaries, on what makes it different; but an idea becomes false and impotent when it seeks reconciliation, at cut-rate prices, with other ideas.
Art makes better humans, art is necessary in understanding the world and art makes people happy. Undeniably, art is not optional.
The idea of beauty is the fundamental idea of everything. In the world we see only distortions of the fundamental idea, but art, by imagination, may lift itself to the height of this idea. Art is therefore akin to creation.
The Jemaine [Clement] and Taika works is a very long and slow machine - we put an idea in one end, and it takes about six years to come out the other end. And sometimes it doesn't even come out. And sometimes it comes out as a different idea. So we've out the idea of We're Wolves into the machine, and it's now slowly going through the sausage maker.
Sharing art makes me feel vulnerable. Sharing a piece of you that cannot be objectified, that is so truly you. It is scary releasing new music to the public, because as soon as you do, it becomes a shared receptacle to which others can attach their own opinion and meaning. What makes it scary is also what makes it worth doing.
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