A Quote by Sol Stein

Most of the time, tough, combative, adversarial dialogue is much more exciting than physical action. — © Sol Stein
Most of the time, tough, combative, adversarial dialogue is much more exciting than physical action.
I think it's much harder to have a long dialogue scene than an action scene. An action scene is long, but it's not really hard. It's kind of boring, really. It looks good at the end, but to shoot it, it's not the most exciting thing.
I love saying dialogue and creating a full character more than just being physical. But I always end up doing physical stuff in my roles.
I've directed bits of action and so I know that it's long and it's very detailed. Editing action is a good deal more exciting than shooting action. Shooting action is very, very meticulous, it's increments, tiny little pieces.
The dialogue is out there, the veil has been lifted. We all know that there's a ways to go. We're still fighting uphill battles, and you just have to hone in on making change, one dialogue at a time, one course of action at a time.
Short of a small range of physical acts-a fight, murder, lovemaking-dialogue is the most vigorous and visible inter-action of which characters in a novel are capable. Speech is what characters do to each other.
The most exciting thing is not doing it. If you fall in love with someone and never do it, it's much more exciting.
Allowing another to be as they are is more what I think of as "space." The space to express yourself and know that you're going to be accepted. That's more where I go than with the actual physical logistics of how much time you have together and how much time you have apart.
I came back to Ann Harbor, got caught up with people who were much more sophisticated than I, and it was an exciting time because my eyes were opening and that's always exciting and Michigan is the place where we had the first teach-in against the war.
I have spent most of my time worrying about things that have never happened. Worrying is not an action! In fact, it is action that alleviates concern and dissipates worries. Take more actions when you feel that worry is creeping in to steal your time. It need not be a huge action, any action in the direction you want to go will do.
This involves more than I can discuss here, but do it. Read the writers of great prose dialogue-people like Robert Stone and Joan Didion. Compression, saying as little as possible, making everything carry much more than is actually said. Conflict. Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet.
The superiority of the dreamer is that dreaming is much more practical than living, and that the dreamer extracts from life a much vaster and varied pleasure than the action man. In better and more direct words, the dreamer is the real action man.
I'm certainly not on a mission to be taken seriously as a dramatic actress, any more than I am just to be able to get roles that are exciting and satisfying to me. If that means action, then that means action.
I have been presented with roles with demand not just a physical ability but mental disciplines as well. 'Memoirs of a Geisha' was not so much about physical exertion... it was much more graceful and contained than that.
I have been presented with roles with demand not just a physical ability but mental disciplines as well. 'Memoirs of a Geisha' was not so much about physical exertion...it was much more graceful and contained than that.
Life in the country teaches one that the really stimulating things are the quiet, natural things, and the really wearisome things are the noisy, unnatural things. It is more exciting to stand still than to dance. Silence is more eloquent than speech. Water is more stimulating than wine. Fresh air is more intoxicating than cigarette smoke. Sunlight is more subtle than electric light. The scent of grass is more luxurious than the most expensive perfume. The slow, simple observations of the peasant are more wise than the most sparkling epigrams of the latest wit.
The axioms of physics translate the laws of ethics. Thus, "the whole is greater than its part;" "reaction is equal to action;" "the smallest weight may be made to lift the greatest, the difference of weight being compensated by time;" and many the like propositions, which have an ethical as well as physical sense. These propositions have a much more extensive and universal sense when applied to human life, than when confined to technical use.
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