A Quote by Solange Knowles

So over time, playing shows - after every show we would have pow-wow, I would have notes and we'd go over and we'd really restructure and re-do and now I feel really, really good about the show. But it's taken time.
One thing that took a while to really adjust to was, you do it for the the art, for the money, for being together and having a good time, but you do it for all those people out there who really care about the show. We are now talking about a show we did over 20 years ago.
They would send me notes on what's going on, and we would pitch in and talk about what we wanted to talk about on the show. I just really did my homework. It was more like a real job for me. Doing this talk show was like, "Wow, this is what they do?!" I can't even imagine doing it every day.
One of the first TV shows that I did was this prank show. And we did a prank where we took a Michael Jackson impersonator and I played his publisher.I was just really good at my job.We were just about to go onto the field to throw out the first pitch just two weeks after 9\11. It was a huge security breach, and we made a lot of cops look really dumb. Producers of the show thought it would be really funny and I didn't think about it because I was a young dumb comedian. So I got arrested and went to jail in the Bronx, and now I can never go back to Yankee Stadium.
Honestly, I try to forget Fashion Week once it's over. I just want to go home and rest and just forget I even did it. It could drive you crazy! It's just show after show after show, and you're missing your family and they feel really far away. You don't go to sleep. You work for a month.
America's a funny place. Every time I've come over it just feels absolutely gigantic and massive. I've always had good shows there, but I just go and come back, feeling like another singer/songwriter in a sea of thousands of singer/songwriters. I don't really know what "breaking it in America" is or means. I just focus on touring day-by-day, and show-by-show, and see where it goes.
My first show was called 'I Know I've Been Changed' in '92. I tried to do this show for years and years. It kept failing over and over and over again. Every time I went out to do the show, nobody showed up. I was like, 'What is this about?'
I'm so grateful that the Internet and the DVD came along because, otherwise, something like 'Freaks And Geeks' would have been dead. At the time we made the show, those avenues weren't really available, and the idea of the show carrying on after it was canceled was something that didn't really happen.
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I think the thing is we really have a great time playing on stage. I think that people really feel that. So I guess we put on a good show.
My favourite thing about touring is really the shows, because early on you can say it's definitely things like travel and seeing the world and stuff like that, but over time you don't really get to see the world. The most important thing in the day is the show. So that's why I do it.
I feel like not only are 'Parenthood' fans passionate, but that passion has grown over the run of the show and people got more invested as the show has gone on. That really does help keep shows on the air.
'Emeril' came on the air right when a new president of NBC was taking over, and there was just a big shift going on. And then 9/11 happened, and that really pretty much killed it, because the show was already having a hard time finding an audience. I don't regret it. I had a really good time.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
I would love to play a show with Kanye West. That would be amazing. I want to play a show with Tom Petty or Bruce Springsteen. It would be really fun, especially to stick around, watch their show and watch how they work a crowd. It's really a wonderful thing.
Before, sometimes if the ball was played over my head I wouldn't know where I was but now I feel a lot more comfortable. Sometimes I would be going forward when it really wasn't the right time to go too, but now I'm picking my moments better.
I just really like writing and making television shows. There are ego rewards in doing battle with other television programs in prime time in the main season. I suppose there are times when I might look at that and think that's the major league. But when you look at it, ultimately would I really want to gamble my livelihood and my ability to connect with my fan base or write a show that I really like writing, or in some cases direct a show that I really like directing, for the sake of winning an ego battle? It's totally not worth it. That stuff is so ephemeral.
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