A Quote by Solange Knowles

Beyonce has set the tone as an aunt. I've set the tone as a mom. — © Solange Knowles
Beyonce has set the tone as an aunt. I've set the tone as a mom.
When you're directing an ongoing series, the tone has already been set. So a director will come in and fulfill that tone - reinforce the characters and their behavior. The challenge is to find unique ways that you can visually tell the story while keeping the established tone and the pace and the characters.
You have more of an opportunity than people think to impact a game through the tone that you can set. You can't control everything, setting that tone is important.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
My mom's amazing 'mom skills' have set the tone for my sister Muffy to be an amazing mother herself.
When you're a lead role, I'm learning that you set a tone for the movie in a way, like a director does, or like other actors do. But it seems like you set a mood on set.
If you don't set the tone for the day, the devil will set it for you.
You set the tone on the set that you want to see in the film.
No, Mom. I said fine." "It's just your tone." Ah, yes- the tone. The nasty traitor.
I just see many, many untruthful things. I see tone, the word tone. The tone is such hatred. I'm really not a bad person, by the way.The tone is such - I do get good ratings, you have to admit that.
With the black and white films, one was concerned with tone... You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.
I'll just say that I made my own explorations of tone by listening to a tone for a long time until I began to understand what my sensations were, what my mind was doing with tone.
I can easily set my tone.
I had a strong vision for 'The Best Man Holiday,' so I was able to translate that to the actors and ultimately to the screen. Things can't get too heavy or too outrageously funny; it has to strike a balance. Tone is everything. If you've set the right tone, you can get away with a lot of stuff. You can get away with making people cry.
All you can really do as director is sort of set a tone.
It's important to set a tone and get some momentum.
Even if nobody's singing, just when you talk, you're singing. I'll meet somebody and say, "Oh, I'm tone-deaf." I say, "You're not tone-deaf, because if you were tone-deaf you would speak like that. But you're 'Oh, I'm tone-deaf.' You already sang a song to me."
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