A Quote by Son Ye-jin

I think it's important to widen my artistic repertoire. — © Son Ye-jin
I think it's important to widen my artistic repertoire.
But a large symphony orchestra basically is a repertory company and it has a very enormous repertoire and it is important for the performers to be able to know how to shift focus so that they instantly become part of the sound world that a particular repertoire demands.
Nothing is ever too expensive if it furthers the repertoire and artistic standards of a dance company.
I'm lucky because my repertoire is so specific, and theaters are interested in me singing my repertoire because it is not done so much. I'm pretty well settled in my repertoire. I like what I sing. My voice is high, and there is not much in baroque opera for higher tenor.
I'd like to widen my education. I'd definitely like to widen my film range. I mean, I'd love to do some theater.
There's something about having an artistic outlet that is so important to the human mind and development. It's as important as any other subject in school. I think it should be mandatory. It's part of our genetic makeup.
I wasn't artistic in drawing or painting, but I think I am artistic in sport. I think I'm always looking for the ultimate, the maximum. It's a challenge that excites me.
I don't think we should stop emphasizing race because I think, you know, race is still very, very important, and we have to recognize that and continue to introduce programs to address racial inequities. But we have to widen our vision and also address the growing problems of economic class.
I don't record for my own glory.I mean, of course part of it is for career advancement, but more importantly, I want some of that repertoire - as much of it as possible - to remain and enter pianists' consciousness and, hopefully, into the standard repertoire.
The nice thing about the violin repertoire is that it's small enough that you can plan on learning everything at some point - whereas the piano repertoire is so enormous it wouldn't be possible unless you're a learning machine.
The more I think about myself, the more I'm persuaded that, as a person, I really don't exist. That is one of the reasons why I can't believe in any orthodox religion: I cannot believe in my own soul. No, I am a chemical compound, conditioned by environment and education. My "character" is simply a repertoire of acquired tricks, my conversation a repertoire of adaptations and echoes, my "feelings" are dictated by purely physical, external stimuli.
I do think there is an important artistic component in what we do. As a technology company I've tried to really stress that.
I write about Texas, New York, California and Virginia, and they're all important places in my repertoire.
Suddenly all the sky is hid As with the shutting of a lid, One by one great drops are falling Doubtful and slow, Down the pane they are crookedly crawling, And the wind breathes low; Slowly the circles widen on the river, Widen and mingle, one and all; Here and there the slenderer flowers shiver, Struck by an icy rain-drop’s fall.
Whenever I record something, I always believe that it's worthy of inclusion in the pantheon, and I would certainly like pianists to pay more attention to it. I think it's ridiculous now, because the range of repertoire - or what's considered 'safe' - is so narrow, even though there are pianists who are really trying to push the envelope. There is still a lack of attention, and there's no reason for it. The piano repertoire is so rich, with so many wonderful things that still are not given their due.
I feel like the internet has encouraged people to look into things and try to find issuesthat because people have a lot of opinions. I think it's really important to encourage artistic freedom. I think if you inhibit that, that could be dangerous.
Even if you are a pianist, your concerto repertoire is very limited compared to what your chamber repertoire would be if you were a chamber music pianist.
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