A Quote by Son Ye-jin
Why is it so difficult to have films seeing the world from women's perspective like 'Thelma and Louise?'
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It’s sad that women characters have lost so much ground in popular movies. Didn’t Thelma and Louise prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.
It's sad that women characters have lost so much ground in popular movies. Didn't 'Thelma and Louise' prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.
'Thelma and Louise' was a pretty important film for me and still is. It's a social film about many things - gender, freedom - and it puts someone like me into the place of these protagonists. Watching that movie, you are living through the eyes of these women.
The big takeaway I got from 'Thelma & Louise' was the reaction of women who had seen the movie being so profound, so different. It was overwhelming, and it made me realise how few opportunities we give women to feel excited and empowered by female characters, to come out of a movie pumped.
I didn't think of 'Thelma and Louise' as a feminist movie.
'Thelma & Louise' really hit a nerve, and I loved that movie.
I'm taking my rats. Those are my friends for the tour. Thelma and Louise. They're so cute.
When people know I wrote 'Thelma and Louise,' they don't want to mess with me.
One thing about 'Thelma & Louise' we can't forget: Brad Pitt. Oh, yes.
I would love to star in a remake of Thelma and Louise. Yep, that's the one I'd be interested in redoing.
I wrote 'Thelma & Louise' in 1988, and we shot it in 1990. Everyone kept saying, 'This is so groundbreaking... this is going to change the landscape,' but I don't see that result at all. When we saw some female studio executives, we were hopeful that more women would be hired as directors, but that didn't really seem to happen.
When I started out, maybe because I did Thelma & Louise early on - but people were always asking, "Are things better for women now?" I would say, "Yeah, I think so. It seems like it." Then a few years in, I started saying, "I think so. I'm getting a lot of good parts, but I don't know." Then eventually, I was like, "Google it. I don't know, but it doesn't seem great."
My favorite duo since Thelma and Louise. They got chops, heart, and soul stirring harmonies.
Anyway, madness and genius. They're the disturbed pals of the human condition. The Bonnie and Clyde, the Thelma and Louise, the baking soda and vinegar. Insanity just walks alongside the brilliant like some creepy, insistent shadow.
I'm obsessed with 'Thelma and Louise,' and therefore obsessed with Callie Khouri who wrote that movie.
On their own, each [character] is a victim of no importance. But when you bring them together, they become a dangerous weapon. Jeanne is the vowel and Sophie the consonant. Psychologists know this phenomenon well. Each individual is harmless, but together they create an explosive chemical reaction. It's like Bonnie and Clyde, like Thelma and Louise.
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