A Quote by Sonakshi Sinha
Luckily, I've had a very good working rapport will all my co-stars. Nobody has complained about me. No one's ever said they don't want to work with me.
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What's good about many people liking the work is that when I want to collaborate or am interested in the synergy of artists working together, nobody ever says no to me when I ask to work with them.
Nobody in my life has ever known me the way you do. Nobody in my life has ever made me feel as good as you do. You know me, you know everything about me, and when you leave me, you're going to be leaving the real me, the me nobody else has ever seen, that's who you're going to be rejecting.
I had two chances to fail [working for Disney]. The first one, they said was "too juvenile." The second one was,they give you general areas to work in. They said, "Set 'My Fair Lady' in ancient Egypt."I came up with this idea about an Egyptian princess, and I gave her, as a sidekick, a little scarab. I had a telephone meeting with the executive "handling" me, and he said, "I looked over the notes. Very cute. But lose the beetle.Beetles don't talk." Well, how do you answer that? I said, "Excuse me just a moment, I've got a teacup calling me on the other line."
I am very excited to work with people who have a strong vision of what they want. They're trying to tell a story, and they want to use me. I'm there to facilitate that. I really like that. I'm like, "Tell me where your frame is. Tell me what you want, what kind of story you want, and I will facilitate it." That's sort of my job, and it makes my work better when I'm working in that kind of a frame, and hopefully it's their work. It's incredibly collaborative, in the sense that you're working toward a common goal.
One of my big revelations was that nobody cares whether you write your novel or not. They want you to be happy. Your parents want you to have health insurance. Your friends want you to be a good friend. But everyone’s thinking about their own problems and nobody wakes up in the morning thinking, ‘Boy, I sure hope Sam finishes that chapter and gets one step closer to his dream of being a working writer.’ Nobody does that. If you want to write, it has to come from you. If you don’t want to write, that’s great. Go do something else. That was a very liberating moment for me.
When I came to Mumbai eight years ago, I had a realistic approach. I was sure that nobody will give me work... And I was also very choosy about wheat kind of work I did.
I'll look as if I'm dead, and that won't be true.' I said nothing. 'You understand. It's too far. I can't take this body with me. It's too heavy.' I said nothing. 'But it'll be like an old abandoned shell. There's nothing sad about an old shell...' I said nothing. 'It'll be nice, you know. I'll be looking at the stars, too. All the stars will be wells with a rusty pulley. All the stars will pour out water for me to drink...' I said nothing. 'And it'll be fun! You'll have five-hundred million little bells; I'll have five-hundred million springs of fresh water...' And he, too, said nothing more.
Even if I overcompensate, nobody will ever want me. Not Seth. Not my folks. You can’t kiss someone who has no lips. Oh, love me, love me, love me, love me, love me, love me, love me, love me, love me. I’ll be anybody you want me to be
An actor had made a comment and said, 'You are so unapproachable.' He called me boring and said, 'You're no fun.' He also said, 'I don't know if I ever want to work with you again.' And I never worked with him after that film.
Alex decided he’d had enough. He put down his knife. “All right,” he said. “You’ve made it pretty clear that you don’t want to work with me. Well, that’s fine. Because I don’t want to work with you either. And for what it’s worth, nobody would ever believe you were my mom because no mom would ever behave like you.” “Alex…,” Carver began. “Forget it! I’m going back to London. And if you’re Mr. Byrne asks why, you can tell him I didn’t like the jelly, so I went home to get some jam.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
When I was a kid I would much rather have been a good baseball player or a hit with the girls, but I couldn't play ball. I couldn't dance. Luckily, the girls didn't want me. Not much I could do about that. So I started to draw and to write By the time I got to where I was attracting girls, I was already into work, and it was more important to me. Not that I wouldn't rather make love, but the work has become a habit.
I remember very vividly. I was here in New York. Nancy Holt called me and - I feel unhappy thinking about it - she said that Bob Smithson had died. I said, "Oh, Nancy, what will we do without Bob?" He was a very good friend.
I had these kind of unrealistic expectations that were fueled by romantic comedies, and it has both helped me and hurt me in many ways. It helped me because, in general, they've made me hopeful. I just figure things will eventually work out for me. But nobody is like any Tom Hanks character. Nobody is Hugh Grant. No one is Meg Ryan!
I remember a very important lesson that my father gave me when I was twelve or thirteen. He said, "You know, today I welded a perfect seam and I signed my name to it." And I said, "But, Daddy, no one's going to see it!" And he said, "Yeah, but I know it's there." So when I was working in kitchens, I did good work.
Dad, you played rounders with me, even though you hated it and wished I'd take up cricket. You learned how to keep a stamp collecion because I wanted to know. For hours you sat in hospitals and never, not once, complained. You brushed my hair like a mother should. You gave up work for me, friends for me, four years of your life for me. You never moaned. Hardly ever. You let me have Adam. You let me have my list. I was outrageous. Wanting, wanting so much. And you never said, 'That's enough. Stop now.
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