A Quote by Sonakshi Sinha
Hits and flops will come and go. But what stays with you is the experience you had while shooting a film. I am happy learning something new each time.
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The luster of an experience can actually go up with time. So, learning to play a new instrument, learning a new language - those sorts of things will pay dividends for years or decades to come.
While directing in theater that the actors will - I don't know if it's competitiveness or what it is, but they love to make each other laugh. They love to impress each other in rehearsal. They'll try something for a reaction. But in film, you're very often not all together in the room at the same time. You're shooting one day, somebody else is shooting the next. It's a totally different dynamic.
But he stays by the window, remembering that life. They had laughed. They had leaned on each other and laughed until the tears had come, while everything else—the cold and where he'd go in it—was outside, for a while anyway.
When I started my career, I gave four flops, and then four hits, two flops, two hits, and then three flops.
Even after nine flops, an actor will get his tenth film. But, if a director gives a flop after nine hits, he will not get another film. That is the way the industry functions.
Letting go of fixation is effectively a process of learning to be free, because every time we let go of something, we become free of it. Whatever we fixate upon limits us because fixation makes us dependent upon something other than ourselves. Each time we let go of something, we experience another level of freedom.
More than the hits, flops will have an impact on my career. In fact, flops helped me shape my career. They made me look at things from a different angle.
Hits, flops, and everything in between - I got to do a lot of different things as an actor, had a lot of good learning experiences. So I think I've done reasonably okay for myself, and God has given me more than what I've asked for.
You evolve with each and every film you do. In every film that I did, I learnt something or the other, and I am constantly learning and hopefully becoming better.
When ice appears out of doors, and boys seize it up while it is solid, at first they experience new pleasures. But in the end their pride will not agree to let it go, but their acquisition is not good for them if it stays in their hands. In the same way an identical desire drives lovers to act and not to act.
Growth is a sub-conscious activity, and I learnt a lot in this course, and I'm always open to learning and grasping new things from people. I'm learning with every film, and my confidence levels and technique is also getting better with each film.
Sometimes you go to a film and well, you are not very concentrated. In reading, you have to concentrate, to spend the time it requires in order to feel the experience of the work. You have to put all of yourself there to experience something new and to feel and perceive an atmosphere that is unprecedented.
If you make a film, that magic is not there, because you were there while shooting it. After writing a film and shooting it and being in the editing room every day, you can never see it clearly. I think other people's perception of your film is more valid than your own, because they have that ability to see it for the first time.
Even if you're doing a film, you're in the news while the shooting is on and during promotions. But once it's over, the limelight fades away, and you wait for something better to come your way.
I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.
I always had a fair share of hits and flops.
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