A Quote by Sonali Bendre
I would be happy to do 'Sarfarosh 2'. The script should be as good as the first one. I don't want to destroy the goodwill of the first one.
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Acting is my first love and I want to stick to it. But I would be happy to offer my inputs to a script, if asked.
When you first read a script is the purest moment. That's when you can understand how an audience will ultimately receive it. The first reading of the script is so important because you're experiencing it all for the first time, and it's then that you really know if it's going to work or not.
If a good visionary wants to jump on board with that and I see their vision correctly and I like it and I like the script, I would absolutely do it but I have to read the script first.
First, you need to write the script, re-work on lots of things. First draft, second draft, once the final script is ready then you visualize which actors fits the role in that the particular script they've written.
The way I pick movies is, first, if the script is any good. Then, if the script is good, who else is in it, the director, the producer, all that. If you have all that, there's a chance the movie will be great. If the script isn't right, or the director or cast isn't right, you've got no shot in hell.
I think everyone needs to try their first script, and usually the first one isn't as good. You learn so much as you're trying to figure it out.
You know when a script is good but you don't have any knowledge how visually it is going to look. When this [Happy Valley] came out and I saw the first episode and thought it was terrific.
If we would destroy the Christian religion, we must first of all destroy man's belief in the Bible.
Truth is the beginning of every good thing, both in heaven and
on earth; and he who would be blessed and happy should be from
the first a partaker of truth, for then he can be trusted.
When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.
Definitely the script because you want to be part of an interesting story, you want your character to be a challenge, then comes the director. But essentially it's the script first and whether it's a character that you think you can do.
When 'Hung' got canceled, I was available for pilot season, and 'Arrow' was the first thing I auditioned for. It wasn't the first script that came to me, but it was my first audition.
I was not really angry: I felt for him all the time, and longed to be reconciled; but I determined he should make the first advances, or at least show some signs of an humble and contrite spirit, first; for, if I began, it would only minister to his self-conceit, increase his arrogance, and quite destroy the lesson I wanted to give him.
I think that when you first read material or you first read a script or story and know you might be playing a part, it's important not to see yourself because it should be a challenge enough that it doesn't come easy.
I know that the only completely happy life for man and for woman is their life, first together, and then with their children. I am a firm believer that no marriage can be really happy, and no home a happy one for the children as well, unless man puts woman first and woman puts man first, each for the other the giver of every good gift. Children are the fruit of this total love.
First become alone. First start enjoying yourself. First love yourself. First become so authentically happy that if nobody comes it doesn't matter; you are full, overflowing. If nobody knocks at your door it is perfectly okay; you are not missing. You are not waiting for someone to come and knock at the door. You are at home. If somebody comes: good-beautiful. If nobody comes that too is beautiful and good.
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