A Quote by Sonam Kapoor
I've realized I have to be very careful in what I say. I speak my heart out. Such honesty is not appreciated in the film industry. Instead, it is twisted and distorted. A lot of what I say is lost in translation.
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We have to be very careful about what we say out there to the masses in the entertainment industry because people are listening to every word, and they take it to heart.
Instead of saying 'unique,' I will say 'Kattappava Kaanom' is a very special and lucky film for me because I got the chance to step into Hindi film industry when I was in the shoot of this movie.
I was fortunate to write pretty much a year out of film school and start making movies in the Hollywood studio system. But with each progressive film it became more frustrating not being able to speak and say things I wanted to say.
I think, as a woman and as somebody in the entertainment industry, we have to be careful what we're putting out there and what we're trying to say.
The oldest cliché in the world is about "what's lost in translation," but you don't very often read much intelligent about what's gained by translation, and the answer is everything. Our language is a compendium of translation.
Most footballers are quite tense, aren't they? So many footballers have been stitched up over the years. They've got to mind what they say, be careful about this, careful about that, because something might be misconstrued, twisted around.
I am very timid about speaking for the collective. I can say what I see, I can say what I've heard, I can say what I feel, but I can't speak for - no one can speak for - 10 million people, and it takes away something from them if you make yourself their voice.
When I speak out against the guns or against the big corporations, some of my friends say, 'Oh Yoko, be careful. These people have all the power.' But, you know, most people don't speak out because they are frightened.
I think my ideal man would speak many languages. He would speak Ibo and Yoruba and English and French and all of the others. He could speak with any person, even the soldiers, and if there was violence in their heart he could change it. He would not have to fight, do you see? Maybe he would not be very handsome, but he would be beautiful when he spoke. He would be very kind, even if you burned his food because you were laughing and talking with your girlfriends instead of watching the cooking. He would just say, 'Ah, never mind'.
Out of sheer respect for the people I look up to in the industry, I do say 'yes' to projects at times. It helps me learn a lot. Also, if I am playing a small role in a good, content-driven film, I say yes to it. But there have been times when I said 'no' to films because I was not convinced with the content.
It's very rare to get a film script that has good dialogue. A lot of the time, you spend on film sets really fighting to find out how to say the words.
People say, "How do you get into the British film industry?" There is no British film industry, there are just people making films and finding their own way. It's not like in the States where there are studios and there's an actual infrastructure to it; there's just nothing here. You make it from scratch a lot of the time.
Everyone appreciates me for my honesty. Why shouldn't I speak my mind? I will not say I am blunt. I don't speak about others.
There's a convention in English stuff that if something is more than 100 years old, people have to say 'do not' instead of 'don't. They have to say 'will not' instead of 'won't.' People are speaking in a way that is not accessible or normal. And people didn't ever speak like that.
Don't be afraid to say what you don't know, and speak for what you do know. Say, "I can't speak for all Latinas, but I can speak for me and tell you very, very honestly."
A lot of conservative writers have twisted that argument in the conversation around Judge [Gonzalo] Curiel and said this is identity politics as played by liberals. And that I think what they're trying to say is that progressives are the first to say.
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