A Quote by Sondra Locke
If I'm playing a real-life person, I would take notes, I think that's important. For instance, when I played Rosemary Clooney, I was lucky enough to meet her; thankfully, she was still with us. And I talked with her and read her book, so when it's a real person, I want to find out everything I can.
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It's a daunting thing to be playing a real person and to have contact with her and meet her and be in her circle a little bit. It's an odd thing. There's so much responsibility to tell the story honestly and truthfully, and at the same time, you start to develop a friendship with this person - or I did.
I wanted to create a heroine that was flawed. I wanted her to be a real person. She's selfish, she's childish, she's immature and because I'm doing a three-book arc I really played that up in the first book. I wanted the reader to be annoyed with her at times.
She wished she had a little yellow house of her own, with a flower box full of real flowers and herbs – pansies and rosemary – and a sweet lover who would swing dance with her in the evenings and cook pasta and read poetry aloud.
I was amazed by this person who, even though she had everything, would go to feed the homeless and visit sick children and Aids victims. It was like a fairy tale. Who was she really? Why did she do this? She was trying to find love. I wanted the world to see her kindness, her humility: I think she realised that would be her way.
If you find a girl who reads, keeps her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea (coffee) and hold her. You may lose her for a couple of hours but she will always come back to you. She'll talk as if the characters in the book are real because, for a while, they always are. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable.
When you think in terms of public service, I heard so much about what Mother Theresa had done in her life. And I was fortunate enough to get a chance to meet her and talk to her a lot about what motivates her and what drives her. And that, to me, is a person that really is an extraordinary role model.
My mother lived her life through movies and books - she read everything there was to read. And she read to me every night. I never went to sleep without her reading to me. And she fantasized about the book and she would talk about it, the place, and you would think that after she read the book and after she told you stories about it, that she had actually been there. I learned about story from her, and I learned the value of a great story, and the value of great characters.
She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
No, Miss Wright didn't want to meet her kid. To her, that relationship was just as important, just as ideal and impossible as it would be to the child. She'd expect that young man to be perfect, smart, and talented, everything to compensate for all the mistakes that she'd made. The whole wasted, unhappy mess of her life.
So it's Rosemary Clooney - Rosemary? Rosemary Clooney, right? The singer? Yes. Clooney, doing, singing, "I've Grown Accustomed To Your Face," which is, you know, really a love song, but what we see on stage is we see one puppet that's got a ridiculous blonde wig on and she looks ridiculous, and next to her is a head that's just a piece of fabric with a pretty face on it.
I'm desperate to be in the same room as Katie Hopkins. There are a few things I'd like to say to her, really calmly. I'd just like to put forward a case for her to integrate the 'her' that she pretends to be on TV with the 'her' she is as a real person.
Portraying Pocahontas' story well was important to me because she was a real person and these were real events in her life.
I want to talk to her. I want to have lunch with her. I want her to give me a book she just read and loved. She is my phantom limb, and I just can’t believe I’m here without her.”- on losing her best friend
I think the relationship [in Aquarius] with her nephew shows that she's not nostalgic. She just wants to preserve what is important to her - her records, her books, even some furniture. She doesn't want to leave that house because it is her home. That is where her kids were born. After moving so much in my life, I was touched by Clara's need to stay in that apartment. I love her life, and that may be why I connected to her so strongly. We are the most alike when we are fighting for our rights.
My mother started out by being a very good girl. She did everything that was expected of her, and it cost her dearly. Late in her life, she was furious that she had not followed her own heart; she thought that it had ruined her life, and I think she was right.
I hadn't made that movie before and when I ever met the real Joy Mangano, which happened because De Niro insisted we meet her and her father, that's what she felt like to us. She impressed us with her quiet, serene authority with herself.
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