A Quote by Sondra Radvanovsky

I don't like confrontation; I just like to sing. — © Sondra Radvanovsky
I don't like confrontation; I just like to sing.
When I sing, I go somewhere else. Every time after I sing, I'll ask, 'Did I do OK?' Because I feel like it's like my soul squeezing out of my vocal chords. I don't sit there and think about 'I'm gonna do this next...' I just sing. I sing from my heart, and my heart's got a little lonesome in it.
Zimbabweans, I've come to believe, we are very passive-aggressive people. We don't like conflict; we don't like confrontation, so we find all sorts of ways of avoiding that conflict and confrontation. We are not allowed to talk about bad things that go on in families.
I don't sing white; I don't sing black - I sing Bronx. When I sing 'Ruby Baby,' I'm rolling like Jimmy Reed. I wanted to communicate like Hank Williams and groove like Jimmy Reed.
I don't know what happened. I just exploded. I'd never sung like that before. I used to stand still and sing simple, but you can't sing like that in front of a rock band. You have to sing loud and move wild with all that in back of you. Now, I don't know how to perform any other way.
I don't like to sing things that just sound like they're going straight down the tubes, and they're circling the drain, and there's no hope. It doesn't feel good in any way to sing.
I think my purpose was just to get out and sing. I love to sing. I wasn't even in it for the - you know, the prize. I was, like, 'Hey, man, I'm going to sing.'
I think my purpose was just to get out and sing. I love to sing. I wasn't even in it for the - you know, the prize. I was, like, 'Hey, man, I'm going to sing.
Back when we were more in the industrial vein, it was almost like I had to hide the fact that I could sing. Now, I've just sort of embraced the fact that I can sing and I'm not a screamer or hiding it behind any effects, this is just what I sound like.
Japanese people are not known for expressing their feelings through singing and dancing, but I like to sing a lot. I don't just sing to myself in the shower. I sing everywhere.
I like to sing and it's just really fun to sing, and I don't get too much. And at my house I'm not allowed to because, you know, your children can't stand it when you sing at home.
I can't sing, but I'll sing over this chord progression, like, over and over, for however long it takes - sometimes it's, like, two minutes, sometimes it's 20 minutes - until I've found like a hook or something that I'm really happy with. And then, basically, it just like that's my melody, and that's where I start from.
I'm just going to do things that I like to do, sing songs that I like to sing.
Marvin Gaye was a friend of mine, and he used to say, 'Man, I wish I could sing like you - if I could have that growl in my voice.' And I said, 'Man, are you kidding me? I want to sing like you. Everybody wants to sing like you.'
For me, I really feel like if there's not a real, true connection to the material, I don't need to sing it. I don't need to sing songs just because I like them anymore. I've done that.
I want to sing using a throatsinging style, like for example kargyraa, but at the same time sing it like a normal way. Maybe I will try some opera. To sing a melody, and to sing not only Tuvan traditional melodies, but I would like to try Western classics, blues. I think Tuvan music and American blues are very close to each other.
When we recorded the song I Just Can't Stop Loving You, my vocal range is a little higher than Michael's range. He had me re-sing the demo in the new key. Then doing that he filmed me singing this demo in the new key. I actually said, "What are you doing? Why are you filming this?" He said to me, "Because I want to sing it like you. You sound so great and I want to sing it just like you." I said, "Oh, great, Mike, my friends are really going to believe me when I tell them that Michael Jackson wanted to sing this song just like me." We laughed about that.
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