A Quote by Sondra Radvanovsky
Even when I'm not onstage singing, there's always music going on in my head. It's a curse and a blessing in a way - it's sitting in bed at night, trying to go to sleep, while the music keeps playing in your head - especially when you're trying to learn something new and you're trying to memorize it and get everything.
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Rahman sir keeps pushing himself. He keeps trying new things, whether it is his craft, music or sound... he is always learning. He looks for opportunities to learn, even from children.
You see, pops, that's the kind of talk that's ruining the music. Everyone's trying to do something new, no one trying to learn the fundamentals first. All them young cats playing their wierd chords. And what happens? No one's working.
I was just trying to make it to a second contract before guys. I was trying to outplay guys on the field and trying to last longer than them in the league. I think all of those things go through your head when you're a late-rounder, and you're always trying to prove people wrong.
The stress that we [with Abilities] always feel is trying to continue advancing with our music. That's our plight, it's ingrained in our personalities. We feel like we're trying to race the world of music itself - just trying to create the best music, and as soon as we get done with one piece we're trying to figure out how to top it.
It keeps my feet on the ground just making sure that I'm always trying to learn something new or trying to be a real guitar player.
Reading and writing music is a wonderful way of getting ideas in your head down to someone else who reads and writes, but if you don't read and write, and the other musician you're playing with are trying to express something who doesn't read and write, than it's a question of "I wrote" so that you must learn from listening and from understanding where that's coming from.
From my time in 'King Crimson,' I'd describe a Progressive band as one that keeps trying to break musical barriers, and keeps trying to do new music.
I was really sick of bands just ignoring the audience as a posture in rock music. And I think we fed off each other in terms of trying to engage the audience, not in a hammy way, but actually trying to be aware of the space that you are playing in and trying to connect in some way through the music.
There's a lot of frustration in trying to get music out when you're the only one who hears it, especially if you have something in your head that's not normal.
Makeup and fashion are a very blatant way of expressing who you are because it's the first thing people see. With music, it's more personal, where people really are trying to get into your head and learn about who you are.
I wasn't playing the music, the music was playing me... and once that went away, and I had the feeling I was playing music, I had to stop. The need to go onstage and get my brain flattened every night left me, and what I didn't wanna do is go onstage and perpetrate a fraud... You cannot fool an audience.
The thing I'm always trying to do when I write is hit that sweet spot where the book both keeps you up late at night, and yet a week after you've finished, it still pops back into your head.
One thing that I've always tried to do is create lifts - the moment that you have a rush of feelings. That's always something that I'm trying to communicate in music, and particularly the style of music that I write for Japanese Breakfast: I'm always trying to build things up into each other.
Every night that I put my head on the pillow, I go to sleep knowing that I can do more. I'm working toward perfection. I'm trying to be the best ever.
When I was working on 'To Pimp A Butterfly' and 'DAMN.,' I'm really making music for Kendrick. It's a different mindset than when I'm making music for me. I'm trying to get into his head and figure out what he wants because it's his vision. That's what I expect from people when they're playing on my records.
When you get in the middle of a career and you're successful, people come and offer you things. My biggest fear was that if you try to do something else and you're trying to build your music career, and then you say, "I'm going to go do a movie," and you're terrible, you can really hurt your music career because as a musician, the goal is to be cool. You're playing the guitar and you're in front of all these people and your vibe is to be as cool as you can possibly be.
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