A Quote by Sondra Radvanovsky

I perform in opera houses in the centres of big cities. We live in 20 acres of forest. You need that space to recover and renew. — © Sondra Radvanovsky
I perform in opera houses in the centres of big cities. We live in 20 acres of forest. You need that space to recover and renew.
For the most part, French cities are much better preserved and looked after than British cities, because the bourgeoisie, the people who run the cities, have always lived centrally, which has only recently begun to happen in big cities in England. Traditionally in England, people who had any money would live out in the suburbs. Now, increasingly, people with money live in the cities, but this has changed only in the last 20 or so years.
What isn't for everybody shouldn't be for anybody: the world's opera houses are the reasons we have cardboard cities.
Whilst we want cities as the centres where the best things are found, cities degrade us by magnifying trifles.
People are people, and I get a bit annoyed that the music business only focuses in on the big metropolises. I find that people that don't live in big cities are just as likely to enjoy music as people that do live in big cities.
We do not live in a centred space any more, but have to create our own centres.
It would be nice to wake up and be able to walk to the bathroom. But even when I was 20 and at the Paris Opera, I had to crawl down the stairs; it is only when I start to work and stretch that my body begins to recover again.
People go to the big urban centres because they have a quality of life, a quality of intellectual inquiry in the big urban centres that you don't necessarily have in smaller, rural communities. I've got loads of friends and relatives that live there. People like living there, bringing up their kids there and all that stuff, but it'd be the death of me. I couldn't be in a small town, ten minutes I'd enjoy it, and then I'd get fed up because you're so constrained and constricted by it.
Opera needs a major makeover; the large opera houses are too in thrall to their conservative patrons.
I say we don't need art in nature, because it's so perfect without us. We need it in the cities. But the cities have absolutely lost their own center. They think having ten cars and a big bridge is the way to happiness. It's not.
The price of property in city centres is making it impossible, particularly in the big cities, for any kind of social mix to take place. It's castrating the whole notion of city life
I live in a house in a forest about 20 minutes out of Copenhagen, with my actress wife Rikke and my four children - my son Louis, 20, from a previous relationship, and our three: Charlie, ten, Miles, eight, and Nomi, six.
The number of opera houses around the world and the high attendance rates show that opera an art form that is more popular than ever.
Because there are a lot of big cities in the world, people who live in cities have become more isolated than ever.
Maybe in this Star Wars world maybe subconsciously I was preparing myself. But I've just found all of my ideas I've been coming up with are big sci-fi things, and I wanted to do a big epic, a big space opera, and this is it. This is mine.
Poverty assumes so many aspects here in India. There aren't only the poor that you see in the cities, there are the poor among the tribes, the poor who live in the forest, the poor who live on the mountains. Should we ignore them as long as the poor in the cities are better off? And better off with reference to what? To what people wanted ten years ago? Then it seemed like so much. Today it's no longer so much.
You go to a lot of cities they've got these great big footballer's houses. There's not many in Stoke-on-Trent.
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