A Quote by Sondra Radvanovsky

I know I'm an opera singer, but we're actors, too. — © Sondra Radvanovsky
I know I'm an opera singer, but we're actors, too.
I was going to be a singer. If I hadn't been in my profession, I was going to be an Opera singer. That's from a young kid. I had all these records from all those famous Opera singers. I wanted to be an Opera singer - that was my whole thing and physical fitness got in the way, thank God.
I originally wanted to be an opera singer. I studied classical voice at the University of Washington but soon realised I didn't have the instrument or the discipline. The road for opera singers is more difficult than for actors.
I have never called myself an opera singer. Other people do, but I always call myself a classical singer. I'd love to do opera, but I'm still too young and I don't want to do it until I'm ready. I realise that when I do that it's going to be... up for discussion, shall we say, so I want to get it right.
In opera tradition, when opera die-hard fans, there is a replacement of singer or singer wasn't at his or hers vocal best, doing something, they boo. Especially now that they pay hundreds of dollars for the ticket.
I think every singer should be able to jump in for a singer who has been sick, for instance, and learn an opera in two days. I know people who can do it.
There's a kind of a line between music and math, so I guess I got the music gene, thank goodness. But my mother wasn't too thrilled. She wanted me to go to university and get a degree or do something, and my father, he liked opera so he wasn't too thrilled either, because he wanted me to be an opera singer and I didn't have - as he said, I don't really have the strength to do that.
My mom was an opera singer. She did all the classical music, and I heard it. I know every opera. I know every classical piece of music.
I was an acting opera singer, and that's one of the reasons I left opera.
One of my sisters wanted to be an opera singer. So, we spent a few dollars to try to train her, because Italian people would like to have an opera singer in the family. But she's got trouble coughing, let alone singing. One day, she was in the shower singing 'Madame Butterfly,' three days later the Japs attacked Pearl Harbor.
I began by listening to my mother's collection of Amelita Galli-Curci and Lily Pons records, and then was taken (at age eight) to hear Pons at a Met performance of Lakme. It was at that moment that I decided to become an opera star. Not just an opera singer, but an opera star!
I was more of a light opera singer, not really much of a lounge singer.
The idea is not to have one great singer surrounded by a bunch of nit wits. When the others are good, too, that's when you get something happening in opera.
My sister is an opera singer. I grew up going to her recitals. This whole time, I'm like, 'She's the singer. I'm just strumming along and yelling.'
The real exertion in the case of an opera singer lies not so much in her singing as in her acting of a role, for nearly every modern opera makes great dramatic and physical demands.
The very beautiful and very touching thing about opera singers is they are very willing to do whatever you want. Unlike actors, who constantly want to know why they're doing something, opera singers will sort of follow you into the fires of hell.
As a young singer, you have to get experience somehow, to try things out and grow as a singer. They way you do that is by going through the ranks and singing at companies like Opera Birmingham. It's a perfect place to foster a career.
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