A Quote by Sondra Radvanovsky
For me, bel canto is medicine for the voice.
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My voice is not so much 'bel canto' as 'can belto'.
I wouldn't be me if my repertoire wasn't bel canto.
Singing bel canto is like walking on a tightrope - especially with a larger voice like mine.
Bel canto is to opera what pole-vaulting is to ballet.
There was something in the bel canto, not just opera, but a certain style of Italian singing that I responded to deeply.
I prefer it when the conductor follows me. It is more difficult to work with a conductor who does not listen - even if I understand that sometimes it makes sense when one person is ruling everything. But for bel canto, I have to have a conductor who listens and supports me.
I want to be known by people who are knowledgeable about opera, who appreciate bel canto singing, people who have more sensitivity.
My vocal style is called bel canto, which is an old Italian vocal style going back hundreds of years.
When you do a 'messa di voce,' that means you start soft, you crescendo into loud - and then you go back to soft again. Some people call it circus tricks, but in bel canto, it's really written into the music.
They both changed the way we hear the sound of the piano, both of them inventors of sonority: Chopin took bel canto singing lines and reproduced them on the keyboard above richly upholstered counterpoint; Debussy somehow preserved vibrations in the air, blending their ephemeral magic into music that reaches far back into deep memory.
When I'm doing sports, I always think of how it's related to singing, and when I watch tennis, I learn a lot for my singing: how the players are focused, how they use their technique, and, in the case of Roger Federer, how effortless it is and how beautiful it is to watch - like bel canto, in a way. That's how singing should be.
The name of the show was 'The Fresh Prince of Bel-Air,' not 'Philip and Viv of Bel-Air.' If you didn't want to walk away from the best job in the world over a petty issue, you accepted the way it was.
The only difference between the Bel Air of the '90s and the Bel Air of my childhood is that now the nannies are Latina instead of British, and the cars European instead of American
The only difference between the Bel Air of the '90s and the Bel Air of my childhood is that now the nannies are Latina instead of British, and the cars European instead of American.
It is time for the scientific community to stop giving alternative medicine a free ride There cannot be two kinds of medicine — conventional and alternative. There is only medicine that has been adequately tested and medicine that has not, medicine that works and medicine that may or may not work. Once a treatment has been tested rigorously, it no longer matters whether it was considered alternative at the outset. If it is found to be reasonably safe and effective, it will be accepted.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
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