A Quote by Song Hye-kyo
Song Joong-ki is known for his sincerity and manners. He is younger than me, but I thought I learned many things from him.
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I want to work with Song Joong Ki sunbae again who I worked with in 'Vincenzo.' I learned so many things from Song Joong-ki sunbae but it's regrettable that we mainly filmed together only in the second half.
If I were to have the opportunity to work with Joong Ki, playing brothers would be good, but anything would be great as long as it was with Joong Ki.
Song Joong-ki was always considerate of his fellow actors and staff members, and Jeon Yeo-been always brought her own energy and charm to all of her scenes.
For the first records I really never thought about anything other than the song itself. I thought that this was what the job of a songwriter was. I was really approaching music from a very different standpoint. To me when I was younger the song was just the melody. I think as I've gotten older and have been recording myself I've become aware of just how many layers can exist within a song besides just the main vocal.
I can't remember the first song I learned to play on bass, but the first song I learned to play on guitar was 'For Your Love' by the Yardbirds. That kind of was the beginning for me. I thought it was a great song and I loved the open chord progression at the beginning of that song.
The virtue of Marcus Aurelius Antoninus was of a severer and more laborious kind. It was the well-earned harvest of many a learned conference, of many a patient lecture, and many a midnight lucubration. At the age of twelve years, he embraced the rigid system of the Stoics, which taught him to submit his body to his mind, his passions to his reason; to consider virtue as the only good, vice as the only evil, all things external as things indifferent.
He loved me. He'd loved me as long as he he'd known me! I hadn't loved him as long perhaps, but now I loved him equally well, or better. I loved his laugh, his handwriting, his steady gaze, his honorableness, his freckles, his appreciation of my jokes, his hands, his determination that I should know the worst of him. And, most of all, shameful though it might be, I loved his love for me.
What is natural in me, is natural in many other men, I infer, and so I am not afraid to write that I never had loved Steerforth better than when the ties that bound me to him were broken. In the keen distress of the discovery of his unworthiness, I thought more of all that was brilliant in him, I softened more towards all that was good in him, I did more justice to the qualities that might have made him a man of a noble nature and a great name, than ever I had done in the height of my devotion to him.
I lay my head on his chest and listen to his heart beating, solid and sure.....he reads me so well. He's known about my emotional empathy since we were children. Nothing disturbs him...Few can lie to me... I don't know the truth, only that there is a lie. It takes a scrupulously honest man to love me. That's my Sean. We learned to trust each other completely before we were old enough to have learned suspicion.
You are angry with your neighbor, you despise him, do not like to speak peaceably and lovingly to him, because there is something harsh, abrupt, careless, unpleasant to you in his character, in his speech, in his manners-because he is more conscious of his dignity than perhaps is necessary; or because he may be somewhat proud and disrespectful; but you yourself, your neighbor's physician and teacher, are more guilty than him.
That is what diminishes the artist and his song. The artist is now hermetically sealed. The publishing company got him his deal and they expect to profit from his songs. So what if he is a better singer than a songwriter; let's put him in a room with a real songwriter. Something great is bound to come...except very often nothing great comes out of such contrived match-ups. Nobody knows where a great song comes from, and that's why so many writers credit the Lord as a co-writer (though I notice they never offer Him half the writer's royalties) when they come up with a real gem.
I remember being a teenager and having a boyfriend - this guy I thought I was way better than, and completely out of his league. He was a year younger than me. And he broke up with me. It was so shocking, and I couldn't believe it.
It doesn't mean old or younger. I've learned a lot from people much younger than me as well as people much older than me. So I think it's about honesty and generosity.
Barry Manilow was very special for me. We've had many collaborations since then and all have been equally rewarding and musical. I've learned so much from him. I like being a student around him; observing him in his environment.
I believe that there is much less difference between the author and his works than is currently supposed; it is usually in the physical appearance of the writer,--his manners, his mien, his exterior,--that he falls short of the ideal a reasonable man forms of him--rarely in his mind.
Ironically, Henry James' biography comforts me & I long to make known to him his posthumous reputation he wrote, in pain, gave all his life (which is more than I could think of doing I have Ted, will have children but few friends) & the critics insulted & mocked him, readers didn't read him.
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