A Quote by Soni Razdan
I'm an actress. I'm ready to work anytime.
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Being a plus-size actress, it is slim pickings, so anytime any role comes up for a plus-size actress, my agents are all over it, and they were like, 'You have to book this job. It's 'American Horror Story.' It's a big deal.' No pressure, right?
Anytime you see Beyonce, Jay Z, Kanye West. Anytime a young black person's doing good, that's motivation for everybody else. Anytime, anytime, it's motivation. Use that fuel to push you forward. That's what I did.
I was so grateful to work on 'Bunheads.' We had so much material, and everything was so rapid-fire, and I developed - through theater too, I developed a really great work ethic. I think preparing for both of them is just that - you come to set ready to go, ready to play. You know your lines. You're ready to work.
I can still steal a base anytime I get ready.
What is the difference between an actress over 50 and an actress with a disability? Nothing. They both can't find work.
Getting ready to wrestle is like getting ready for a car crash. Getting ready to work with Brock Lesnar is like knowing you're going to get hit by a bus and the bus is going to back over you. If I'm going to work 'WrestleMania,' 16 weeks out I have to start training like I'm Mayweather getting ready for a fight.
Are you ready to fight for good jobs and and a solid level playing field? Are you ready to prove to another generation of Americans that we can build a better country and a newer world? Joe Biden is ready. Barack Obama is ready. I am ready. You're ready.
I'll be ready for my first kiss! When it happens, it'll happen, but I don't know. It doesn't look like that will be anytime soon.
There are hits and misses, and as an actress, we are mentally ready for all that.
I can't say to the gaffer 'well I haven't played for three months, I'm not ready!' That doesn't work. I have to work as I would, or even harder probably in training so that if anything happens I am 100 per cent ready to come in.
I mean, any time an actress gets to work with another actress, it's like, 'Oh, there are two of us in a movie! How are you? Let's sit in the hair chair together!' We're lonely women.
I mean, any time an actress gets to work with another actress, it’s like, “Oh, there are two of us in a movie! How are you? Let’s sit in the hair chair together!” We’re lonely, women.
Secure writers don't sell first drafts. They patiently rewrite until the script is as director-ready, as actor-ready as possible. Unfinished work invites tampering, while polished, mature work seals its integrity.
When I was young, I was very blessed to have this insight that my best work would be when I was an older actress. I just always knew that as a young actress.
I've been very lucky and been able to work, as an actress, but I'm definitely a working actress. I get a script, I audition, and then I pray.
I didn't know my mother was an actress until I was eight and she went back to work. At an even younger age than that, I'd wanted to be an actress, so when I saw her, I clearly remember thinking, 'This is a strange coincidence.'
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