A Quote by Soni Razdan
My acting, writing, performance - keep me on my toes.
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For me, the real goal is to integrate. The thing that I'm most happy with is the fact that I've been able to keep doing all of it - to keep writing, and to keep acting in movies, and to keep acting on the stage, to keep directing plays. I find that they feed each other, and that I learn about acting from directing and I learn about writing from acting.
My take is that acting is acting. A performance is a performance. With performance capture, if you don't get the performance on the day, you can't enhance the performance.
I'm always constantly trying to find stuff that's different. It's a way to keep me on my toes and keep me interested and keep me excited about work.
It's really up to the acting community to be willing to be educated about what performance capture is in order to fully appreciate it as acting. It's not a type of acting, but rather the use of technology to harness an actor's performance and translate it into an ape, another animal, or an avatar of some kind.
I directed one of my shorts that did festivals around the world, and that was great. I've got a bit of a bug for that now. I just hope I keep challenging myself and keep doing stuff that interests me with people who I respect and who teach me stuff. If I can keep doing that in anything - acting, writing, directing or whatever - I'll do it because life is short.
I'm giving up acting. . . . I'm 66 and there are a number of celebrations I've got to get down on paper, and acting doesn't allow me to do that. It was a hell of a drug, performance. It's a great thrill, especially for a storyteller. But it can go. Directing can go. Writing can't go. And in terms of what lies ahead, I want to have a burning focus - almost like smoke coming up from the paper as I write.
Each kind of story has its own problems in writing, but my main concern really is to keep the reader on his toes, or to keep the strip unpredictable. I try to achieve some sort of balance between the two that keeps the reader wondering what's going to happen next and be surprised.
Keeping faith in my acting credentials, my mentor offered me a powerful role in 'Veerasaami,' which had scope for me to emote on the screen. Film-buffs have now welcomed my acting skills and appreciate me for my good performance.
For me, I've never drawn a distinction between live-action acting and performance-capture acting. It is purely a technology.
The first and perhaps the most important requirement for a successful writing performance - and writing is a performance, like singing an aria or dancing a jig - is to understand the nature of the occasion.
I like acting and things when I like the writing. If I don't like the writing, I don't like acting. I think in some ways everything starts for me from the place of writing.
I feel there's so much still to learn about acting. But there is some magic in the capturing of performance and in the process of editing a performance. The psychology of human beings and what's coming through the face... that fascinates me.
I do love writing. It doesn't come to me as readily as I think acting does. I think acting is in my instincts. Writing is a craft that I work very hard at. And I have to train and continue to develop.
My man has to be passionate about his work and me. Also, he should give me my space and not keep me on my toes.
I kinda motivate myself and keep me on my toes.
Actually, I was writing as I was acting - it was kind of simultaneous. I wrote on 'E20', which started this whole 'EastEnders' journey. It's not like I was writing and then I got into acting - they have always been kind of together for me.
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