A Quote by Sonia Braga

We can bring to characters dark and bright sides that nobody even dreams about. — © Sonia Braga
We can bring to characters dark and bright sides that nobody even dreams about.
The reader has information about the characters that the characters themselves don't have. We all have our secret sides. Even I come to understand things about the characters only through the writing process, as I am going along.
Even good characters have their dark sides, and I think it is important that women aren't seen as innately good.
Don't give up because of the dark days. Succeed in spite of them. The dark days make the bright days seem even brighter. So bright you can hardly stand it.
Dark clouds bring waters, when the bright bring none.
My beliefs encompass all religions. But I never show my religious inclination in my films. My characters have dark sides; they aren't the god-fearing characters. It wasn't a conscious decision. I'm a very lazy and emotional person who connects with the common man.
When I decided to write a novel about Istanbul, I thought I should put the different faces of Istanbul into one book. I also put the characters in a cell, and it's three stories underground, rather than on the surface. The characters have one Istanbul, the other one is above ground. One is in dark, one is in light. That kind of contradiction - those opposite sides - creates a great energy in Istanbul.
There something to be said for having even unrealistic dreams. Even if the dreams don't come true - that, to me, is what's beautiful about Los Angeles. It's full of these people who have moved there to chase these dreams.
I had a friend, a lover. Or did I dream it? So many dreams are crowding upon me now that I can scarcely tell true from false: dreams like light imprisoned in bright mineral caves; hot, heavy dreams; ice-age dreams; dreams like machines in the head.
Often, contrasts bring art to life: the bright speck of paint on a dark canvas; the tightrope walk between humor and tragedy.
I don't have any special approach for playing dark characters. That's because I never looked at them as dark characters per se. For me, they were real people.
I like the opportunity to play characters who have these dark sides but make the audience empathize with them. You want them to think there is some kind of sweeter, softer side to it.
It takes a Mother's Patience, to bring a child up right, And her Courage and her Cheerfulness to make a dark day bright.
Gray space is fertile ground for fiction. When I can see both sides of an argument and feel strongly in both directions, then there's a story there, then I can write real characters that I care about and believe in and champion on both sides.
Leadership has a harder job to do than just choose sides. It must bring sides together.
I wish I could go back and rewrite my first book, You Bright and Risen Angels; I could do a better job. But in the meantime, nobody knows as much about my books as I do. Nobody has the right but me to say which words go into my books or get deleted or edited. When I'm dying, I'll smile, knowing I stood up for my books. If I die with more money, that wouldn't bring a smile to my face. Unless I got better drugs or more delicious-looking nurses.
There are people who put their dreams in a little box and say, 'Yes, I've got dreams, of course I've got dreams.' Then they put the box away and bring it out once in awhile to look in it, and yep, they're still there. These are great dreams, but they never even get out of the box. It takes an uncommon amount of guts to put your dreams on the line, to hold them up and say, 'How good or how bad am I?' That's where courage comes in.
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