A Quote by Sonia Braga

In Brazil, there is a fear and a denial of our past. Downtown Rio used to display the history of colonialism in Brazil. They had beautiful buildings and theaters, and there was a bakery that was threatened to be demolished, but people insisted against it. They laid down in front of it and said, "You're going to have to go over my body to destroy it." It frustrates me when I see people on Facebook posing in front of old buildings while on vacation, because they could've posed in front of equally beautiful buildings at home in Rio.
You see all these old buildings [in Rio] going down or catching fire overnight, and it is so sad. I am very connected with these buildings because they are our history. It is the only one that we have.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
In Paris, there has to be a presence. History becomes the most interesting when it's compared to the present. I mean there's a whole group of people that want to build new buildings that look like old buildings.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
I don't think all buildings have to be iconic, but the history of the world has shown us that cultures build iconic buildings for their major public buildings.
We saw groups of people gathering in front of Lula's house in Sao Paulo this morning. You had people shouting at one another, and some fistfights even broke out. Some of his supporters are claiming that this is equivalent of a coup attempt, an attempt to remove Rousseff from power and prevent Lula from running again. And other people are saying that this is simply a display of rule of law in Brazil, that no one in Brazil can be above the law at this time.
I remember I went to Berlin right after the Wall came down. I first went to East Berlin, and all the buildings were old and falling down, and now when you go back to Berlin, you know you're in the East because all the buildings are brand new and very tall.
I saw my town as if I had just arrived. It was as if I was waking up. You see houses and buildings every day, and you walk by them on your way to something else, and you hardly see. You hardly notice they're even there, mostly because there's something else going on right in front of your face, But when the town itself becomes the thing that is going on right in front of your face, it all changes, and you're not just looking at a house, but at what's happened in that house before you were born.
I think green buildings are extremely important but it's only part of the equation. A lot of people think that if I put a green building everything is going to be fine, but actually it's not just the green buildings we need, but green businesses, green governments, green economics. We have to extend the greening of buildings to our business and our lifestyles - that is the most important thing to do next.
Brazil obviously connotes something in my mind to do with desire, sexuality and freedom. In fantasy, in mythology, Rio is the iconography of the imagination. In essence, we're all sex tourists. I've never been to Rio and I've never been to a psychoanalytic convention, but in a sense, Rio is symbolic of desire, some sort of ultimate ecstasy.
Asking the front wheels of a car to do their normal job of steering while handling more than 170 is like asking a man to wire a plug while juggling. Penguins. While making love. To a beautiful woman while on fire, on stage. In front of the Queen. It's all going to go wrong.
We shouldn't just look at new buildings but at existing stock building because that's an even greater problem than the new buildings being built. The renovation of existing buildings and making them green is just as important as designing new green buildings.
I never wanted to make portraits - to photograph celebrities, beautiful people, beautiful landscapes, beautiful buildings, or people in distressing situations.... I have always been interested in everyman - average, ordinary people in everyday situations.
When you travel, you can see lots of great buildings and monuments and stuff, but the best part of traveling is meeting people as you go. Those are the people who made the places you go to anyway. All my memories of traveling - yeah, there are some buildings or landscapes that I'll always remember - but I still think I remember the people I meet more than any of that.
Growing up, I wanted to be a musician. My mother, in typical Filipino-mom fashion, would always make me go up in front of people at parties to sing. Back then, as a kid, I was mortified. In retrospect, I see that doing that as a child helped me get over my fear of being in front of people.
Italy is full of historical buildings. And Europe holds a great history of philosophy from Greece until today. I read all those books and see these buildings, and I think of where I stand when I design my architecture.
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