A Quote by Sonia Rykiel

I will be working on the collection until the day before the show! It's an endless process, that's all that I can say at that stage. — © Sonia Rykiel
I will be working on the collection until the day before the show! It's an endless process, that's all that I can say at that stage.
I think certainly after every show I headline, I will be available to the fans. When I'm headlining a show, I don't walk off stage. I'll walk to the front of the stage and sign hats and shirts and tickets for 15 to 30 minutes, until everyone has everything signed.
There's more of a family connection when you're working on a TV show. That's not to say that you don't make great connections when you're working on films, but it's different unless you're there working every day.
I know I promised. I said, 'Ask, seek, knock and you will find.' You say, 'But I have found loss. I have found dispossession. I have found letting go.' And I would say to you that until you dispossess what you have you can never possess what I want to give to you. Until you surrender your understanding, you will never get My wisdom. You would say, 'Lord, what is at the end of this process?'
It is impossible to improve any process until it is standardized. If the process is shifting from here to there, then any improvement will just be one more variation that is occasionally used and mostly ignored. One must standardize, and thus stabilize the process, before continuous improvement can be made.
I've always had a passion for dancing, and I wasn't lucky enough to go to stage school, so when I got onto the show, I was like a kid in a sweet shop. I went into it just to have fun. The support was overwhelming, to say the least. It wasn't until the end of the show that I realised how much I really wanted to win it.
I wake up around nine and do morning chants in my bed. I learned transcendental meditation four years ago, and I do it twice a day, plus an extra ten minutes before the show because I struggle with stage fright just before I go on.
Just giving the people a great show, leaving it all on the stage. Like when I'm finished I don't want to go home with nothing, I want to leave it all there on the stage, that's what I'm thinking about before I hit the stage.
The headmistress was a very well-respected theater teacher. She taught me what stage left and stage right were, what a director was, and what all these things meant, which was something I had no concept of. She sent me off to drama school, at age 18, and I stayed there for three years. Before I knew it, I was working on a TV show.
We don't know if we're dancing on the show until a couple of days before the show starts, let alone who their partners are before they meet them.
That's not to say that some day I won't go outside again, but I'm having a great time working on this process.
You either trust someone day one until they prove you wrong, or you say, 'I don't trust you until you show me I can trust you.' I'm the latter.
Conversion will not be a single event or something that will last for just one season of life but will be a continuing process. Life can become brighter until the perfect day, when we will see the Savior and find that we have become like Him. The Lord described the journey this way: ‘That which is of God is light; and he that receiveth light, and continueth in God, receiveth more light; and that light groweth brighter and brighter until the perfect day’ (D&C 50:24).
Dolce & Gabbana is like our child. The editing of a collection before a show is a tough call, as we would like to show everything!
Directing's the best part. Whenever I've directed something, there's this feeling of demand and focus that I like. And secondly, it means that you've gotten through all the writing stuff, and the producing stuff, and casting, and prep, and all those stages that are seemingly endless. So directing is sort of the reward for all the work you put in before. And then there's the editing, which is another amazing stage of the process. It's incredible the moments you can create.
I have endless playlists on my iPod so will throw on, say, Bruce Springsteen or The Smiths, depending on what kind of day I'm going to have.
Starting on February 1, 2010, and running through until May 30, I will be Toronto Public Library's Writer in Residence, working out of the Merril Collection of Science Fiction, Fantasy, and Speculation at the Lillian H. Smith branch at College and Spadina.
This site uses cookies to ensure you get the best experience. More info...
Got it!