A Quote by Sonia Rykiel

How can you live the high life if you do not wear high heels? I don't understand why women wear these ballet pumps. They are only good if you walk like a ballet dancer, and only ballet dancers do that.
The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes.
The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes. Their feet are arched.
I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
I originally wanted to be a ballet dancer and trained for years, but when I was around 18, I realized I wasn't going to be as good a ballet dancer as I'd hoped I'd be and decided to become an actress instead.
So many people report to be contemporary dancers, and they're not. They are sort of jazz dancers that feel like they're throwing a bit of classical in there. I mean, a true contemporary dancer has got ballet as their base and classical ballet, and that is their base. And then they choose to extemporize on that and go into a contemporary world.
Making the ballet really taught me how to get things moving. Ballet dancers don't stand still.
In the Royal Ballet Company, there was a Japanese principal dancer, and onstage and in ballet, they have colorblind castings - so I did see Asian dancers, and they were always my favorite. When you have someone who looks like you, it's something you can kind of grab onto, and it makes you feel better about your place in the world.
I actually quit ballet when I was offered a job, an apprenticeship at North Carolina Dance Theater Company, run by John Pierre Bonnefoux and Patricia McBride, who are my idols. Everything sort of went perfectly. I was 16, and I was about to drop out of high school and become a professional ballet dancer.
I've never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.
There's no similarity between football and ballet, so this ain't ballet music being played on the field. I'm pumping something that's going to put me in a frame of mind to go to war, and something that's very high tempo and high beat.
I began dancing when I was 7 years old. I was told that I had the perfect ballet dancers body and had these crazy high arches in my feet that resulted in an amazing point. Ballet was very disciplined and, frankly, a little boring, so I eventually transitioned to gymnastics. I loved that, although I never reached a competitive level.
The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
My parents were ballet dancers, and I did a lot of ballet, too, so I think I learned quite early on how to hold my body. Although I do recall desperately wishing I was shorter at school.
I began dancing when I was 7 years old. I was told that I had the perfect ballet dancer's body and had these crazy high arches in my feet that resulted in an amazing point. Ballet was very disciplined and, frankly, a little boring, so I eventually transitioned to gymnastics. I loved that, although I never reached a competitive level.
Slashing its way to the finish line, 'Black Swan' is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
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