A Quote by Sonia Rykiel
Being one step ahead of a fashion trend is not so important to me. What matters is to always forge ahead.
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Being one step ahead makes you a leader Being fifty steps ahead could make you a martyr.
When the road you're on begins to crumble, forge ahead - better it crumble behind you than ahead of you.
By wrecking something, it's always reinventing. All modern movements in art and music wrecked what came before, in a way - and surprised the cooler generation that was one step ahead. That's how you get ahead.
When you're one step ahead of the crowd you're a genius. When you're two steps ahead, you're a crackpot.
In golf, you keep trying to score well when you're ahead. In basketball, they don't quit shooting when they're ahead. In hockey, they don't quit shooting the puck when they're ahead. And in boxing, you don't quit punching when you're ahead. But in football, somehow magically, you're supposed to quit playing when you're ahead.
I'm one of the narrative-push people. I don't outline, I don't plan ahead. So I'm my first reader, telling myself the story as I'm going along. Since I haven't designed it ahead of time, each day I have to be sure that the footing is solid before I make the next step. I think you could be more intricate if you work it out ahead of time.
Often I visualize a quicker, like almost a ghost runner, ahead of me with a quicker stride. It's really crazy. In races, this always happens to me. I see the vision of a runner ahead of me, maybe just 15, 20 meters ahead of me, and the cadence of that runner, which is actually me in the future, is a little quicker, so if I'm going (his rhythm/breathing), then my ghost runner, the vision of me, ahead of me, like opening up and just going for it, is quicker .
Entrepreneurs are misfits to the core. They forge ahead, making their own path and always, always, question the status quo.
I was ahead of the gender curve, but I wasn't ahead of the intersectionality curve, and I get it now. It's important to me.
London seems to be one step ahead of everywhere else which I like because you see things first. It's where British fashion is developed and there are so many little vintage shops and boutiques; there are always loads on offer.
I daydream too. I visualise. I think ahead, I can do it now, sitting here. I think ahead to the walk-in, I can hear the crowd, the music, I can feel the cameras all around me, I can feel movements in my body as I am heading there, I can bring up that incredible feeling you get when you step into the cage.
The conversation between Fletcher and Jonathan Livingston Seagull is centered on why some have achieved more than others . . . are they divine . . . ahead of their times . . . Fletcher says, Well, this kind of flying has always been here to be learned by anybody who wanted to discover it; that's got nothing to do with time. We're ahead of the fashion, maybe. Ahead of the way most gulls fly. Poor Fletch. Don't you believe what your eyes are telling you? All they show is limitations. Look with your understanding, find out what you already know, and you'll see the way to fly.
I've always liked to think ahead. Not stupid-far ahead. A hundred years doesn't interest me. But 20 years interests me, and more for what happens to humans as opposed to things.
The next step has to be the necessary step. It's always to put the immigrant community and the civil rights movement ahead of partisan politics.
Being one point ahead at the end - that's all that matters.
If you have fame, you never feel that you have fame, if you have the brains of a flea. Because fame is something that's over back of you. It ain't ahead.... Not ahead at all. I mean, if you've done it that's great, but "what are you going to do now?" is the only thing that matters.
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