A Quote by Sonia Sotomayor

The first case I sat on... was Citizens United. Talk about being thrown in. Needless to say, if I was scared before, I was terrified. — © Sonia Sotomayor
The first case I sat on... was Citizens United. Talk about being thrown in. Needless to say, if I was scared before, I was terrified.
Before I sat down and became a writer, before I began to do it habitually and for my living, there was a decades-long stretch when I was terrified that it would suck, so I didn't write. I think that marks a lot of people, a real terror at being bad at something, and unfortunately, you are always bad before you can get a little better.
I'm a person of my own opinions, that's how I was raised. I speak what I feel... A lot of people feel the same way but they're scared to talk. They're really scared of the truth - they only want half of the truth. I've been living like that - forever in fear - but I know what to say and how to say it now. I ain't scared of myself. Y'all may be scared; I'm not scared.
I wrote the first draft of 'Tigerman' while my wife was pregnant - needless to say, I was relaxed and casual about her well-being during this tender time - and the novel clearly has its center in that panicked parental desperation that accompanies a first child and in the admittedly comedic extremes to which it drives us.
If it weren't for my breast cancer, I wouldn't be a 'Today' host. After I got better, I talked to my boss about working on the show. Six months before, I'd have been terrified to go in there and ask for what I wanted. But after what I'd been through, how could I be scared of being told no?
What the Supreme Court did in Citizens United is to say to these same billionaires and the corporations they control: 'You own and control the economy, you own Wall Street, you own the coal companies, you own the oil companies. Now, for a very small percentage of your wealth, we're going to give you the opportunity to own the United States Government.' This is the essence of what Citizens United is all about - and that's why it must be overturned.
I used to be scared of the Candyman. You'd say his name three times in the mirror and then he'd come get you. I was terrified of that stuff becoming true. My older cousins used to say things to make us believe crazy stories like that, so I was scared of the Candymanuntil I knew better.
I was really scared to make this album and to make this song. Because I didn't want to talk about it. For me, it's even deeper than just '1-800.' 'Everybody' as a whole... I was terrified.
When a significant other - a spouse, a parent or someone you're close to - is dying, it forces you to think about your life, about what you feel about death. What I realized from my dad's dying was that I wasn't scared of dying. But I was terrified of regrets. I was terrified of getting to the end of my life with a lot of Why didn't I's.
When I first met Alan Parker, who directed 'Angel Heart,' he'd heard so many horror stories about me that he was literally scared to death of me. Right away, he sat me down and said, 'I'm very scared of you. I've heard you're a very bad boy.'
When I heard that 'Roots' was being remade, my first response was, 'Seriously?' I was a bit skeptical. Then I had an audition in early 2015. I didn't know how to feel about it. I was a little scared of the responsibility of telling the story again with the weight of the first one behind me - I was scared of comparisons.
Don't label me before we get a chance to talk about it. Talk to me first and see what kind of person I am. That's what I like to tell the media: Come talk to me, let's sit down and talk about what's really going on.
Ever since I was a little kid, there was something about change that scared me so much, but, at the same time, I've always been terrified of being stuck, so it's kind of like a paradox that I'm living.
Being scared is really a good thing. It's being scared of being scared that's bad. Being scared of walking through your fear, going to a place of true creativity - that's what an artist is, that's what he does. If you do that, then being inspired by your contemporaries or people from the past is really great.
What happens at the average church or synagogue or mosque is that I don't know many priests or ministers or rabbis who say to their congregation, 'go home and talk about the religion at the kitchen table with your kids...talk about God, talk about what this is all about.' They say in general, come back on the weekend, we'll talk to you about it.
That's the way to go. People say: 'Oh, he doesn't want to come back, he's scared,' and it's to play with your brain, to play with your mind. I'm not scared of nobody. I'm not scared of no human being. I'm scared to fight, every time I fight I'm scared, but I'll bite into my mouthpiece and I'll walk the walk.
I'm a huge fan of Jonathan Van Ness, but that was the first time that I had met him on the Gay Of Thrones set, and as soon as we sat down, it was clear that just about anything he was going to say I was going to have no idea what it meant. I have literally no idea, so that ended up being a really fun bit to find, like "The old man doesn't know what kids talk about." We started talking about red carpets. I was taught how to stand on the red carpet. Put your hand in your pocket and that's it. That's literally all a guy has to do.
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