A Quote by Sonny Bono

I feel kind of like the black sheep in Congress, but here I am. — © Sonny Bono
I feel kind of like the black sheep in Congress, but here I am.
I've never been called the black sheep. Everybody in my family had something weird about them, like, 'What's wrong with you?!' We all were black sheep.
When the Lord's white sheep become dirty gray, all black sheep feel more comfortable.
Women have an incredible ability to pick up on emotional signals. For example, there are some wolves that are so clever they have learned to dress up like sheep. Man says, "Looks like a sheep. Talks like a sheep." Woman says, "Ain't no sheep!"
I am tortured too. I am tortured by belly fat and magazine covers about how to please everyone but myself. I am tortured by sheep who click on anything that will guarantee a ten-pound loss in one week. Sheep who will get on their knees if it means someone will like them more. I am tortured by my inability to want to hang out with desperate sheep. I am tortured by goddamned yearbooks full of bullshit. I met you when. I'll miss the times. I'll keep in touch. Best friends forever. Is this okay? Are you all right? Are you tortured too?
In the early '70s, I started to feel like Philadelphia soul was the black-sheep brother of rock and roll. I decided to try to get away from it.
No one in my family is musical, including extended family. I am like the black sheep.
I'm from a family of bankers and businessmen, and here I am, the artist, the black sheep.
I have a perhaps naive point of view informed by my own kind of snowflake-in-the-unique-sense rather than the political sense, personal story. I mean I feel like my experiences are so hard to map onto any kind of generalized identity. For example, I'm a black person, but I come from a very particular black experience which is not unlike the experience of the Barack Obama. I have an African mother and a white father and I feel like I have a different experience of being a black person as a result of that identity than someone who is from the descendants of slaves.
Back when we was in school in Mississippi, we had Little Black Sambo. That's what you learned: Anytime something was not good, or anytime something was bad in some kinda way, it had to be called black. Like, you had Black Monday, Black Friday, black sheep... Of course, everything else, all the good stuff, is white. White Christmas and such.
I have always been the black sheep of the family. I am the middle child, with an older and a younger sister.
I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.
I'm like the black sheep of my family.
Ian’s the black sheep.” “I thought I was the black sheep,” said Seth, sounding almost hurt. “No. You’re the unfocused artistic one. I’m the responsible one. Ian’s the wild, hedonistic one.” “What’s hedonistic?” asked Kendall. Her father considered. “It means you run up a lot of credit card bills you can’t pay, change jobs a lot, and have a lot of…lady friends.
I am a mere filmmaker. I am not even aligned to any political party. I vote for the Congress party, and I root for the Congress ideology, but I am not subject to the Congress party.
Yes, believe me I am black and blue. Plus I just finished a Seth MacFarlane movie called Ted and I can't believe the cast I got to work with there [Mila Kunis, Mark Wahlberg]. I feel like I am winning some kind of contest to trick people into working with me.
The black experience for me has been very interesting. Some days, I wake up, and I feel really black. Some days, I'm like, 'This is me. I'm black. Black Lives Matter. Black pride. Look at my cocoa skin.' I just feel it's my being.
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